During the early 1980s punk underwent a revival in France after its initial wave had drawn scant notice. Multiple groups, many of them long-lasting, lent genuine vitality to this renewed phase, though none achieved greater renown or esteem than Bérurier Noir. Fists aloft beside red-and-black flags, the troupe of anarchist clowns stood as the clearest embodiment of autonomy and social awareness.
Despite fielding numerous players onstage, the musicians adhered to the guitar-and-beat-box template first established by Metal Urbain, inserting saxophone phrases only sporadically so that ample room remained for their political and social slogans.
The outfit formed in 1981 yet reached broad public attention only with its debut studio album, Macadam Massacre, issued in 1984. Two further LPs followed—Concerto Pour Detraques in 1985 and Abracadabraboum in 1987—together with assorted EPs. Even so, Béru, as the band was commonly known, operated chiefly as a live unit. Tickets stayed inexpensive, and each member retained outside employment to preserve complete independence for the project. In 1988 several musicians faced accusations of terrorist involvement; although the claims were promptly disproved, the episode dealt a serious setback to their progress. After the 1989 release of Souvent Fauche the group disbanded, marking the occasion with three nights at the Olympia later documented on the 1990 album Viva Bertaga. Only live recordings appeared in the intervening years until a 2003 reunion that dissolved soon after the issuance of inconsistent new material.
