Artist

Bill Doggett

Genre: R&B ,Early R&B ,Swing ,Soul Jazz ,Jump Blues ,Jazz Blues
Origin: U.S.A
Active: 1930 - 1996
Listen on Coda
Bill Doggett, born William Ballard Doggett, produced one of rock’s landmark instrumental recordings when his track “Honky Tonk” reached listeners in February 1956. Although the success prompted numerous invitations to appear in rock & roll venues across the country, he stayed rooted in the jazz and organ-centered R&B he had pursued since the 1930s. He remained with Cincinnati’s King label through 1960, after which he recorded for Warner Brothers, Columbia, ABC-Paramount, and Sue. His final studio work occurred in 1995 as both member and producer of the all-star jazz/R&B ensemble Bluesiana Hurricane.

Raised on Philadelphia’s north side, Doggett faced childhood poverty that blocked his earliest ambition to study trumpet. At his mother’s urging—she served as a church pianist—he turned to keyboards and soon commanded the instrument. By age thirteen he was recognized locally as a prodigy, and at fifteen he assembled his initial group, the Five Majors.

While still attending high school he played with the Jimmy Gorman Band, the house orchestra at Philadelphia’s Nixon Grand Theater, and took over its direction in 1938. That leadership proved short-lived; he sold the ensemble to Lucky Millinder and continued performing with Millinder intermittently for the following four years. His first appearance on record came in 1939 on Millinder’s sides “Little Old Lady From Baltimore” and “All Aboard.”

Although he briefly led an orchestra alongside Benny Goodman arranger Jimmy Mundy in late 1939, Doggett spent most of the era as a sideman. From 1942 to 1944 he supplied piano and arrangements for the Ink Spots, then contributed charts to Count Basie while also touring or recording with Coleman Hawkins, Johnny Otis, Wynonie Harris, Ella Fitzgerald, and Lionel Hampton. In 1947 he replaced Wild Bill Davis in Louis Jordan’s band and took part in the influential recordings “Saturday Night Fish Fry” and “Blue Light Boogie.” His first work on organ occurred during Ella Fitzgerald sessions in June 1951.

He introduced his own organ-driven group at New York’s Baby Grand nightclub in June 1952 and cut more than a dozen singles before “Honky Tonk” broke through four years later. A longtime resident of Long Island, New York, Doggett suffered a fatal heart attack and died three days afterward on November 13, 1996.