Biography
Conductor and violinist Daniel Dodds serves as artistic director of Switzerland’s Festival Strings Lucerne, where he has earned broad acclaim, while also appearing as soloist with numerous leading orchestras worldwide.
Born in Adelaide, Australia, in 1971 to Australian Chinese parents, Dodds began violin studies at five under Alita Larsens. At fourteen he lived for a year with his family in Linz, Austria, attending classes at the local music Gymnasium; that experience solidified his decision to pursue music professionally. At seventeen, armed with scholarships that enabled study in Switzerland, he left Australia. His training took place at the Hochschule Luzern with Gunars Larsens and at the Utrecht Conservatory with Keiko Wataya. After graduating with honors from both institutions, he participated in master classes led by Nathan Milstein—who declared he could be Paganini’s grandson—Franco Gulli, and Rudolf Baumgartner.
Baumgartner exerted a particularly formative influence: Dodds has performed on a Stradivarius once owned by the elder musician, and it was Baumgartner who secured him a position with the Lucerne Festival Strings. In 2006 he made his first recording, joining the Phoebus Quintet for an album of Ferenc Farkas chamber works, and he has remained a committed chamber-music performer ever since.
He advanced to artistic director of the Lucerne Festival Strings, frequently appearing with the ensemble and shaping its timbre in the Viennese tradition associated with Baumgartner and earlier members. During his tenure the group became the first Swiss orchestra invited to the Elbphilharmonie in Hamburg and has performed at the Schleswig Holstein Festival, the Rheingau Music Festival, and the Hong Kong Music Festival. Dodds has broadened the repertory by introducing works from Peteris Vasks and Sofia Gubaidulina as well as newly commissioned scores by Luigi Laveglia and Stephan Hodel.
Maintaining connections to Australia, he has performed with the Australian World Orchestra and served as guest concertmaster of both Camerata Salzburg and the Mahler Chamber Orchestra. As soloist he has appeared with the Hamburg Symphony Orchestra, the Orchestra della Svizzera Italiana, and the Melbourne Symphony Orchestra, among others. Dodds led the Lucerne Festival Strings in a 2014 recording alongside violinist Arabella Steinbacher and again in a 2020 album with violinist Midori that included Beethoven’s Violin Concerto in D major, Op. 61. In 2022 he conducted the ensemble in Mozart’s “Haffner” Serenade, K. 250, released on the Sony Classical label.
Born in Adelaide, Australia, in 1971 to Australian Chinese parents, Dodds began violin studies at five under Alita Larsens. At fourteen he lived for a year with his family in Linz, Austria, attending classes at the local music Gymnasium; that experience solidified his decision to pursue music professionally. At seventeen, armed with scholarships that enabled study in Switzerland, he left Australia. His training took place at the Hochschule Luzern with Gunars Larsens and at the Utrecht Conservatory with Keiko Wataya. After graduating with honors from both institutions, he participated in master classes led by Nathan Milstein—who declared he could be Paganini’s grandson—Franco Gulli, and Rudolf Baumgartner.
Baumgartner exerted a particularly formative influence: Dodds has performed on a Stradivarius once owned by the elder musician, and it was Baumgartner who secured him a position with the Lucerne Festival Strings. In 2006 he made his first recording, joining the Phoebus Quintet for an album of Ferenc Farkas chamber works, and he has remained a committed chamber-music performer ever since.
He advanced to artistic director of the Lucerne Festival Strings, frequently appearing with the ensemble and shaping its timbre in the Viennese tradition associated with Baumgartner and earlier members. During his tenure the group became the first Swiss orchestra invited to the Elbphilharmonie in Hamburg and has performed at the Schleswig Holstein Festival, the Rheingau Music Festival, and the Hong Kong Music Festival. Dodds has broadened the repertory by introducing works from Peteris Vasks and Sofia Gubaidulina as well as newly commissioned scores by Luigi Laveglia and Stephan Hodel.
Maintaining connections to Australia, he has performed with the Australian World Orchestra and served as guest concertmaster of both Camerata Salzburg and the Mahler Chamber Orchestra. As soloist he has appeared with the Hamburg Symphony Orchestra, the Orchestra della Svizzera Italiana, and the Melbourne Symphony Orchestra, among others. Dodds led the Lucerne Festival Strings in a 2014 recording alongside violinist Arabella Steinbacher and again in a 2020 album with violinist Midori that included Beethoven’s Violin Concerto in D major, Op. 61. In 2022 he conducted the ensemble in Mozart’s “Haffner” Serenade, K. 250, released on the Sony Classical label.
Albums

Eastbound: Schumann, Dvorak, Schreker (Works for String Orchestra)
2024

Ravel: Ma Mère l'Oye, M. 60
2023

Mozart: Haffner-Serenade KV 250 & Marsch KV 249
2022

Into the Morning Light
2018

Time Transcending
2012

Whatever Happens
2011
Singles

Abendlied, Op. 85, No. 12 (Arr. for String Orchestra by Johan Svendsen)
2024

IV. Nicht schnell
2024

II. Petit Poucet (Arr. for Piano Trio by Julian Riem)
2023

I. Pavane de la Belle au bois dormant (Arr. for Piano Trio by Julian Riem)
2023

Vocalise, Op. 34, No. 14 (Arr. for Piano Trio by Julian Riem)
2023

Suite for Cello and String Orchestra. II. Aria
2023

Dido and Aeneas, Z. 626: When I am Laid in Earth (Dido's Lament, Arr. for Cello & Orchestra by Julian Riem)
2023

Talestri: Da me ti dividi (Arr. for Cello & Orchestra by Julian Riem)
2022

O virtus sapientiae (Arr. for Cello & Orchestra by Julian Riem)
2022

Gerusalemme liberata: Armonia con Capriccio a Violino Solo
2022

VII. Menuetto
2022

The Sleeping Beauty, Op. 66, Act 1, No. 6: Waltz (Arr. for Piano Trio by Julian Riem)
2021