Biography
David Calzado serves as bandleader, music director, arranger, and lead vocalist for the fourteen-piece ensemble Charanga Habanera, shaping the trajectory of contemporary Cuban music. Even after the necessity of rebuilding the group in 1997, he has sustained his position among Cuba’s most pivotal artists. Under his direction, Charanga Habanera received the title of Most Popular Band in Cuba for 1998 and again for 1999.
Raised in a household filled with music, Calzado drew early encouragement from his maternal grandmother, herself a musician who steered him toward the violin in childhood. His first recognition arrived while playing violin with the orchestra Pancho Bravo.
Charanga Habanera originated in Monte Carlo in 1988, drawing its initial members from graduates of the Escuela Nacional de Arte and other conservatories under the guidance of Jose Picayo. When Calzado assumed leadership in 1992, he rebuilt the ensemble around piano, keyboards, conga, two violins, two trumpets, alto saxophone, flute, and two vocalists. This instrumentation helped establish the timba style that surfaced in the early years of the decade.
Calzado y Charanga Habanera swiftly moved to the center of Cuba’s music world. In 1996 the group carried its sound to audiences in Spain, France, Italy, Switzerland, the United Kingdom, Holland, Germany, and Sweden. The next year brought complications when one singer faced accusations of exposing himself during a performance and another drew rebuke for asking spectators whether they enjoyed marijuana. Cuban authorities responded by suspending the band’s travel privileges for six months.
Seeking to restore his career, Calzado parted ways with the existing members, leading to the emergence of three separate outfits: Charanga Forever, Dany Lozada y su Timba Cubana, and a reconstituted Charanga Habanera assembled with younger players.
Raised in a household filled with music, Calzado drew early encouragement from his maternal grandmother, herself a musician who steered him toward the violin in childhood. His first recognition arrived while playing violin with the orchestra Pancho Bravo.
Charanga Habanera originated in Monte Carlo in 1988, drawing its initial members from graduates of the Escuela Nacional de Arte and other conservatories under the guidance of Jose Picayo. When Calzado assumed leadership in 1992, he rebuilt the ensemble around piano, keyboards, conga, two violins, two trumpets, alto saxophone, flute, and two vocalists. This instrumentation helped establish the timba style that surfaced in the early years of the decade.
Calzado y Charanga Habanera swiftly moved to the center of Cuba’s music world. In 1996 the group carried its sound to audiences in Spain, France, Italy, Switzerland, the United Kingdom, Holland, Germany, and Sweden. The next year brought complications when one singer faced accusations of exposing himself during a performance and another drew rebuke for asking spectators whether they enjoyed marijuana. Cuban authorities responded by suspending the band’s travel privileges for six months.
Seeking to restore his career, Calzado parted ways with the existing members, leading to the emergence of three separate outfits: Charanga Forever, Dany Lozada y su Timba Cubana, and a reconstituted Charanga Habanera assembled with younger players.
Albums
