Artist

David Hill

Genre: Classical ,Choral
Origin: U.S.A
Active: 1975 - Present
Listen on Coda
Although his professional path opened chiefly through the organ, David Hill rose to become one of the foremost English choral conductors at the dawn of the twenty-first century. Orchestral engagements have included appearances with the Philharmonia and Bournemouth Symphony Orchestras, yet his most enduring achievements lie in choral repertoire, especially the Spanish Renaissance masters and English composers of the nineteenth and twentieth centuries.

Born in Carlisle, England, on May 13, 1957, Hill displayed exceptional talent early on. He trained as an organist at Chetham’s Music School in Manchester, where conducting captured his attention at age fourteen. Three years later he earned fellowship status at the Royal College of Organists. At St. John’s College, Cambridge, he studied under George Guest, while Gillian Weir and Peter Hurford also figured among his principal mentors. Following graduation, his career advanced rapidly through a succession of distinguished appointments: sub-organist at Durham Cathedral from 1980 to 1982, music director of the Alexandra Choir from 1980 to 1987, master of music at Westminster Cathedral in 1982, organist and master of music at Winchester Cathedral from 1987 to 2002, and music director of the Waynflete Singers during the same fifteen-year span.

Parallel recording activity began in 1983 when Hill led the Westminster Choir in the first of his Hyperion albums devoted to Tomás Luis de Victoria, O Quam gloriosum. Shortly before assuming the Winchester and Waynflete positions, he became associate conductor of the Philharmonia Chorus and later served as its artistic director until 1997. In 1998 he took the post of music director with the Bach Choir. Throughout the 1980s, 1990s, and into the new century he continued to document both neglected scores—such as the three volumes of Charles Villiers Stanford choral music issued by Hyperion in 1997—and established works, including Palestrina’s Missa Papae Marcelli on the same label in 1993. In 2003 he appeared as solo organist on the Regis Records collection Cathedral Organ Classics.

From 2003 to 2007 Hill served as music director of St. John’s College, Cambridge. He then held the chief conductorship of the BBC Singers from 2007 to 2017, and in 2013 he was appointed principal conductor of the Yale Schola Cantorum. Remaining exceptionally productive, he led his various ensembles in frequent recording projects. Among the 2019 releases were Handel’s Messiah with the BBC Singers on Resonus and Heinrich Schütz’s The Christmas Story with the Yale Schola Cantorum on Hyperion. By the time he issued Peter Warlock: Maltworms and Milkmaids with the BBC Singers on the EM Records label in 2023, his discography encompassed roughly one hundred titles.
Beach: The Canticle of the Sun, Op. 123: I. O Most High
2025
Weir: In the Land of Uz: VII. Conclusion
2025
Bach-Centricity: Concertos, Trios & Sonatas Arranged for Two Harpsichords
2025
Calma
2023
Dxpe-Fi., Vol. 1
2023
Represent
2023
Verdi: Requiem - Richard Blackford's Orchestration for Two Pianos, Organ and Percussion
2023
Messa da Requiem: IIf. Rex tremendae (Arr. for Voice, Choir, 2 Pianos, Organ & Percussion by Richard Blackford)
2023
Messa da Requiem: IV. Sanctus (Arr. for Choir, 2 Pianos, Organ & Percussion by Richard Blackford)
2023
The Canticle of the Sun
2022
Blackford: Mirror of Perfection & Vision of a Garden
2022
Bach Inspired
2022
The Tree
2021
From the Ground Up
2020
Howells: Missa Sabrinensis & Michael Fanfare
2020
J.S. Bach: Six Trio Sonatas Arranged for Two Harpsichords
2020
Will Todd: Lights, Stories, Noise, Dreams, Love and Noodles
2020
New England Choirworks
2019
Schütz: The Christmas Story & Other Works
2019
Messiah, HWV 56 (Arr. for Wind Ensemble by Stian Aareskjold)
2018
Brahms: A German Requiem (Chamber Orchestration)
2018
Palestrina: Missa Confitebor tibi Domine & Other Works
2018
Awakening (New Age Music for Meditation, Yoga, And Renewal)
2017
Fauré: Requiem Op. 48
2017
Dyson: Choral Symphony
2017
Fauré: Requiem & Other Sacred Music
2017
Illumine Me - Choral Works by Richard Lloyd
2016
Stanford: Choral Music
2016
Judith Weir: Storm
2015
Howells: Stabat Mater, Te Deum & Sine Nomine
2014
Delius: A Mass of Life
2012
Fauré: Requiem Op. 48; Messe Basse; Motets; Cantique de Jean Racine
2011
The First Nowell: Carols from Westminster Cathedral
2010
Vaughan Williams: Dona Nobis Pacem - Sancta Civitas
2010
Tavener: Thunder Entered Her, The Last Sleep of the Virgin & The Hidden Treasure
2009
Finzi: Dies Natalis / Farewell To Arms / 2 Sonnets
2008
Howells: Hymnus Paradisi / Sir Patrick Spens
2007
Christmas at St John's College Cambridge
2006
Hadley & Sainton: Choral and Orchestral Works
2005
Priory LP Archive Series, Vol. 1
2005
Westminster Cathedral Organ Classics
2001
Winchester Cathedral Organ Spectacular
2001
Treasure Coast Pipes
1998
Christmas Fantasy
1995
Tavener: Thunder Entered Her
1994
Purcell: Funeral Sentences
1994
Sainton: The Island - Hadley: The Trees so High
1993
Peter Philips: Motets (English Orpheus 17)
1993
Music for Ceremonial Occasions
1993
Classic FM Carol Collection
1993
Walton/Vaughan Williams: O Clap Your Hands
1992
Jerusalem: Parry, Stanford & Elgar
1991
Tallis: Spem in alium & Other Choral Works
1990
Organ Spectacular, Vol. 2
1990
Vierne: Symphony No. 2 & Les Angélus (Organ of Westminster Cathedral)
1989
Victoria: Tenebrae Responsories for Holy Week
1989
Jean Langlais: Missa Salve regina & Messe solennelle
1988
Victoria: Missa Vidi speciosam & Other Sacred Music
1988
Palestrina: Missa Papae Marcelli & Missa brevis
1988
Faure: Requiem
1988
Victoria: Requiem (Officium Defunctorum, 1605)
1987
Widor: Symphony No. 5 (Organ of Westminster Cathedral)
1987
Victoria: O magnum mysterium & Ascendens Christus in altum
1987
Britten: A Ceremony of Carols, Missa brevis & Other Choral Works
1987
Praetorius: Christmas Music
1987
Treasures of the Spanish Renaissance
1986
Victoria Masses: Ave maris stella & O quam gloriosum
1986
Organ Spectacular
1986
Mozart: Requiem
1984