Biography
A pivotal force behind the resurgence of classic Cajun sounds, fiddler Dewey Balfa ranked among his homeland’s most fervent promoters, bringing the region’s distinctive music to fresh listeners worldwide while motivating a wave of younger musicians to reclaim their heritage. Born March 20, 1927, in Mamou, Louisiana, as one of nine children in a sharecropping household, he picked up the fiddle from his father during intervals away from cotton fields, drawing initial influence from Leo Soileau, Harry Choates, and Bob Wills. Throughout World War II he labored in a Texas shipyard before joining the merchant marine, where he kept performing in various western swing ensembles during spare time. Returning to Louisiana by the late 1940s, he joined siblings Rodney, Will, and Harry to entertain at local gatherings under the name the Musical Brothers, a partnership that yielded the 78 rpm release “La Valse de Bon Baurche” in 1951.
Widely admired for his smooth yet exacting technique, Balfa became a prized session and stage partner for fellow Cajun artists, most prominently Nathan Abshire. Even as prevailing attitudes in the 1950s dismissed Cajun music as outdated and unmarketable, he persisted with live appearances alongside his brothers and the launch of their own radio program. A mid-decade field recording sponsored by the Newport Folk Foundation offered modest reach beyond southwest Louisiana, yet his leadership of a Cajun ensemble at the 1964 Newport Folk Festival produced a standing ovation from more than 17,000 attendees, demonstrating the style’s broader appeal for the first time. In 1965 he formally established the Balfa Brothers band with Rodney, Will, daughter Nelda, and accordionist Hadley Fontenot, returning to Newport two years later to another enthusiastic reception.
Those Newport successes spurred Balfa to champion traditional Cajun culture, collaborating with the Council for the Development of French in Louisiana to expand French-language instruction in state schools and advocating for a dedicated Cajun music festival. The Balfa Brothers maintained steady recording and touring activity, steadily enlarging their following in subsequent years. Catastrophe arrived in 1979 with the deaths of Will and Rodney in a car crash; Balfa’s wife and son also passed away within the next few years, yet he continued, reconstituting the Balfa Brothers with daughter Christine and nephew Tony. Recognition came in 1982 via the National Heritage Fellowship, the National Endowment for the Arts’ highest honor for folk practitioners. Following an extended illness with cancer, Balfa died on June 17, 1992; his daughters promptly launched Balfa Toujours—“Balfa Forever”—to sustain the Cajun legacy into the following century.
Widely admired for his smooth yet exacting technique, Balfa became a prized session and stage partner for fellow Cajun artists, most prominently Nathan Abshire. Even as prevailing attitudes in the 1950s dismissed Cajun music as outdated and unmarketable, he persisted with live appearances alongside his brothers and the launch of their own radio program. A mid-decade field recording sponsored by the Newport Folk Foundation offered modest reach beyond southwest Louisiana, yet his leadership of a Cajun ensemble at the 1964 Newport Folk Festival produced a standing ovation from more than 17,000 attendees, demonstrating the style’s broader appeal for the first time. In 1965 he formally established the Balfa Brothers band with Rodney, Will, daughter Nelda, and accordionist Hadley Fontenot, returning to Newport two years later to another enthusiastic reception.
Those Newport successes spurred Balfa to champion traditional Cajun culture, collaborating with the Council for the Development of French in Louisiana to expand French-language instruction in state schools and advocating for a dedicated Cajun music festival. The Balfa Brothers maintained steady recording and touring activity, steadily enlarging their following in subsequent years. Catastrophe arrived in 1979 with the deaths of Will and Rodney in a car crash; Balfa’s wife and son also passed away within the next few years, yet he continued, reconstituting the Balfa Brothers with daughter Christine and nephew Tony. Recognition came in 1982 via the National Heritage Fellowship, the National Endowment for the Arts’ highest honor for folk practitioners. Following an extended illness with cancer, Balfa died on June 17, 1992; his daughters promptly launched Balfa Toujours—“Balfa Forever”—to sustain the Cajun legacy into the following century.
Albums
