Eric Andersen

Since emerging from the Greenwich Village folk milieu during the first years of the 1960s, Eric Andersen has sustained an expansive, exploratory body of work that moves fluidly across folk, rock, country, blues, and beat poetry. His philosophically inflected, poetically shaped songs placed him among contemporaries such as Tom Paxton and Phil Ochs; after issuing several Vanguard releases, he reached a wider audience during the singer/songwriter era with the 1972 album Blue River. Participation in landmark 1970s events included the Festival Express trek and Bob Dylan’s Rolling Thunder Revue, while independent tours carried him across Europe, Japan, and North America. Relocating to Norway, he formed the well-regarded folk-rock trio Danko Fjeld Andersen in the 1990s alongside Band bassist Rick Danko and Norwegian musician Jonas Fjeld. Andersen’s creative activity persisted through the new century as he produced short fiction and poetry alongside solo recordings such as 2003’s Beat Avenue and 2004’s The Street Was Always There, and he took part in programs honoring William S. Burroughs, Albert Camus, and Jack Kerouac. The career retrospective documentary The Songpoet premiered in 2019; two years later a multi-artist tribute set appeared, its contributors ranging from Bob Dylan to Linda Ronstadt.

Born February 14, 1943, in Pittsburgh, Pennsylvania, Andersen spent his formative years outside Buffalo, where he witnessed performances by rock & roll figures including Elvis Presley, Buddy Holly, and the Everly Brothers. He took up guitar and piano while developing an affinity for folk music. After periods spent in Boston and San Francisco, fellow singer Tom Paxton encouraged him to move to New York City, where he reached the peak of the early-’60s Greenwich Village scene. Vanguard signed him, resulting in the 1965 debut Today Is the Highway, which included the early standout “Come to My Bedside.” His follow-up, ’Bout Changes & Things, introduced enduring compositions of the period such as the poetic “Violets of Dawn” and “Thirsty Boots,” later interpreted by Bob Dylan, Judy Collins, and John Denver. During these years he also made his first appearance at the Newport Folk Festival, attracted the interest of Beatles manager Brian Epstein, and appeared in an Andy Warhol experimental film.

Through the latter portion of the 1960s Andersen explored country, pop, and rock textures on further Vanguard and Warner Bros. releases. In 1970 he joined the trans-Canadian Festival Express alongside the Grateful Dead, Janis Joplin, the Band, and additional acts. Dividing time between California and New York, he frequently lodged at the Chelsea Hotel, forming connections with Leonard Cohen, Robert Mapplethorpe, and Patti Smith. Columbia signed him for the pivotal 1972 album Blue River, which became his strongest commercial success and a defining early singer/songwriter statement. Two years afterward the loss of master tapes for the projected follow-up prompted his departure from Columbia; he then joined the fledgling Arista label under former Columbia president Clive Davis. Mid-decade activity encompassed a pair of Arista albums, Be True to You and Sweet Surprise, several Rolling Thunder Revue dates, a tour of Japan, and a move to Woodstock, New York.

By the early 1980s Andersen had established residence in Europe and recorded 1980’s Midnight Son for CBS. Although he maintained club tours on both sides of the Atlantic, subsequent releases were confined to the Swedish album Exile and the Belgian film soundtrack Istanbul. He eventually made his home in Norway, raising a family while continuing occasional performances and writing songs, essays, and short fiction. The 1989 release Ghosts Upon the Road received strong critical notice and revisited his 1960s troubadour experiences.

During the 1990s Andersen launched a collaborative folk-rock venture with Canadian Rick Danko and Norwegian Jonas Fjeld. Operating as Danko Fjeld Andersen, the group issued its first recording on Rykodisc in 1991 and followed it three years later with Ridin’ on the Blinds on the Norwegian imprint Grappa Musikkforlag. The long-missing tapes from the early-’70s Blue River successor surfaced in 1991 as Stages: The Lost Album. Andersen contributed a track to the 1997 Jack Kerouac tribute Kicks Joy Darkness and released the reflective solo album Memory of the Future the next year.

Entering the twenty-first century, Andersen’s recorded output increased with the expansive double album Beat Avenue in 2003 and the reflective Greenwich Village-themed The Street Was Always There in 2004; his initial live collection, Blue Rain, appeared in 2007. He sustained touring commitments and participated in notable cultural programs. In 2008 he performed at the Andy Warhol Week Celebration at the Gershwin Hotel, where he received an “Andy” award alongside Lou Reed and Billy Name. The following year he appeared on the BBC broadcast Greenwich Village Revisited, hosted by Billy Bragg, with additional guests Carolyn Hester, Roger McGuinn, and Judy Collins. Also in 2009 Andersen joined international observances marking the fiftieth anniversary of William Burroughs’ Naked Lunch and supplied the essay “The Danger Zone” to the Southern Illinois University Press volume Naked Lunch @ 50: The Anniversary Essays.

His second live recording, The Cologne Concert, emerged in 2011 on Meyer Records and introduced the new pieces “The Dance of Love and Death” and “Sinking Deeper Into You.” In May 2012 he joined the European Beat Studies Network, newly established under William S. Burroughs scholar Oliver Harris. That autumn Catherine Camus commissioned original songs for the centenary of her father Albert Camus, resulting in the cycle The Shadow and Light of Albert Camus, recorded and issued by Meyer in 2014. In September 2015 Andersen participated in a V.I.P. charity concert at Grand Hall, Newstead Abbey Park—the ancestral seat of Lord Byron in Ravenshead, Nottingham, U.K.—performing settings of Byron’s verse together with newly composed material in the poet’s rhyme style, a project developed over the preceding two years. Those songs were later recorded and released as Mingle with the Universe: The Worlds of Lord Byron in spring 2017. Two years afterward his career received documentary treatment in The Songpoet, which debuted in September at the Copenhagen Music Film Festival.

A 2020 anthology titled Woodstock Under the Stars gathered live recordings, webcasts, and studio material spanning 1991 to 2011. In 2022 Tribute to a Songpoet: Songs of Eric Andersen appeared, presenting interpretations by Bob Dylan, Lenny Kaye, Mary Chapin Carpenter, Lucy Kaplansky, and others. Another live set, Foolish Like the Flowers, captured in Italy, was issued in early 2023.