Biography
Evan Marshall’s mandolin work weaves classical, bluegrass, and pop idioms into a single voice. Equally shaped by the late violinist Jascha Heifetz and country-guitar patriarch Chet Atkins, he developed an exploratory mandolin style that layers bass lines, chordal support, and tremolo melodies in real time, without studio overdubs. Although he trained on classical violin in childhood, Marshall discovered his truest expression only after taking up the mandolin at fourteen.
His first recording, the 1990 album Mandolin Magic, was produced by David Grisman and presented unaccompanied mandolin readings of four Beatles songs—“Do You Want to Know a Secret,” “Mother Nature’s Son,” “Michelle,” and “You Won’t See Me”—alongside Gershwin’s “Summertime,” Johannes Brahms’s “Hungarian Dances #5 and #6,” Jacques Offenbach’s “Bacarolle,” and Don McLean’s “Vincent.” On the follow-up, Evan Marshall Is the Lone Arranger, issued in 1995, he added two further Beatles titles, “P.S. I Love You” and “Here, There and Everywhere,” while also reshaping Irving Berlin’s “Someone to Watch Over Me” and Rossini’s “William Tell Overture.”
That same year Marshall emerged as an original composer with Mandolin Unlimited. Produced by Mark O’Connor, the album juxtaposes solo mandolin pieces against double-mandolin overdubs and several ensemble tracks that feature Sam Bush and O’Connor on mandolin plus John Knowles on guitar.
His first recording, the 1990 album Mandolin Magic, was produced by David Grisman and presented unaccompanied mandolin readings of four Beatles songs—“Do You Want to Know a Secret,” “Mother Nature’s Son,” “Michelle,” and “You Won’t See Me”—alongside Gershwin’s “Summertime,” Johannes Brahms’s “Hungarian Dances #5 and #6,” Jacques Offenbach’s “Bacarolle,” and Don McLean’s “Vincent.” On the follow-up, Evan Marshall Is the Lone Arranger, issued in 1995, he added two further Beatles titles, “P.S. I Love You” and “Here, There and Everywhere,” while also reshaping Irving Berlin’s “Someone to Watch Over Me” and Rossini’s “William Tell Overture.”
That same year Marshall emerged as an original composer with Mandolin Unlimited. Produced by Mark O’Connor, the album juxtaposes solo mandolin pieces against double-mandolin overdubs and several ensemble tracks that feature Sam Bush and O’Connor on mandolin plus John Knowles on guitar.
Albums
