Biography
Fernando Lobo, the father of Edu Lobo, etched lasting contributions into Brazilian music through his compositions “Nega Maluca,” “Ninguém Me Ama,” “Saudade,” and “Zum-Zum,” while also shaping the preservation of the nation’s popular songbook via the numerous television programs he created and hosted.
His formal training began under the guidance of Capiba’s father in Campina Grande, Paraíba, and continued with violin instruction in Recife, where he sang and played in the Jazz Band Acadêmica de Pernambuco. He penned the frevo-canção “Alegria” in 1936; Nuno Roland committed it to disc four years later. That same year, Lobo made his sole appearance as a recording artist with the frevo-canção “Pare, Olhe, Escute e Goste,” written by Nelson Ferreira. Relocating to Rio de Janeiro in 1939, he took positions at several newspapers and assumed the directorship of Rádio Tamoio. He crossed to the United States in 1945, joining the staffs of CBS and NBC. Two years afterward, Orlando Silva scored a hit with the samba “Saudade,” a collaboration with Dorival Caymmi.
Back in Brazil by 1949, Lobo saw Francisco Alves record “Chuvas de Verão,” a track Caetano Veloso would revisit two decades later. Araci de Almeida enjoyed success with Lobo’s rhumba “Nasci Para Bailar,” later revived by Nara Leão in the 1980s. During Carnaval 1950, Linda Batista introduced “Nega Maluca,” co-written with Evaldo Rui; the song became a perennial favorite and received honors from both the city government and the newspaper A Noite. In 1951 Dalva de Oliveira popularized “Zum-Zum,” penned with Paulo Soledade as a tribute to the late Carlos Eduardo de Oliveira. That year Lobo joined the writing staff of Rádio Nacional, and in 1957 he began composing for television. From the 1970s until his death he produced and presented a series of specials at TV Educativa in Rio de Janeiro that documented and safeguarded Brazilian popular music. Among his earlier achievements were the baião “A Primeira Umbigada,” written with Manezinho Araújo, and the enduring samba-canção “Ninguém Me Ama,” created with Antônio Maria. Nora Ney, then early in her career, recorded the latter and thereby secured her place in the public eye.
His formal training began under the guidance of Capiba’s father in Campina Grande, Paraíba, and continued with violin instruction in Recife, where he sang and played in the Jazz Band Acadêmica de Pernambuco. He penned the frevo-canção “Alegria” in 1936; Nuno Roland committed it to disc four years later. That same year, Lobo made his sole appearance as a recording artist with the frevo-canção “Pare, Olhe, Escute e Goste,” written by Nelson Ferreira. Relocating to Rio de Janeiro in 1939, he took positions at several newspapers and assumed the directorship of Rádio Tamoio. He crossed to the United States in 1945, joining the staffs of CBS and NBC. Two years afterward, Orlando Silva scored a hit with the samba “Saudade,” a collaboration with Dorival Caymmi.
Back in Brazil by 1949, Lobo saw Francisco Alves record “Chuvas de Verão,” a track Caetano Veloso would revisit two decades later. Araci de Almeida enjoyed success with Lobo’s rhumba “Nasci Para Bailar,” later revived by Nara Leão in the 1980s. During Carnaval 1950, Linda Batista introduced “Nega Maluca,” co-written with Evaldo Rui; the song became a perennial favorite and received honors from both the city government and the newspaper A Noite. In 1951 Dalva de Oliveira popularized “Zum-Zum,” penned with Paulo Soledade as a tribute to the late Carlos Eduardo de Oliveira. That year Lobo joined the writing staff of Rádio Nacional, and in 1957 he began composing for television. From the 1970s until his death he produced and presented a series of specials at TV Educativa in Rio de Janeiro that documented and safeguarded Brazilian popular music. Among his earlier achievements were the baião “A Primeira Umbigada,” written with Manezinho Araújo, and the enduring samba-canção “Ninguém Me Ama,” created with Antônio Maria. Nora Ney, then early in her career, recorded the latter and thereby secured her place in the public eye.
Albums
Singles
