Biography
A pianist distinguished by his signature slip-note technique that came to define the pop-inflected Nashville sound in the closing years of the 1950s and the dawn of the 1960s, Floyd Cramer entered the world on October 27, 1933, in Louisiana. After spending most of his early years in Arkansas, he went back to Louisiana in 1951 and started performing on the radio broadcast The Louisiana Hayride, sharing stages with Jim Reeves, Faron Young, Webb Pierce, and Elvis Presley, who made his first appearance on the program during one of those shows.
Although Cramer issued a handful of solo recordings in 1953, his primary contributions during the first half of the decade came through session work, where he encountered Chet Atkins; Atkins urged the pianist to relocate to Nashville. Cramer made the move in 1955 and rejoined Atkins as the staff pianist for RCA Records, helping shape the emerging Nashville sound—a smoother, more forward-looking approach that shed the rough edges of traditional country and honky-tonk music. Under Atkins’s production, Cramer refined his singular method of striking a note and then gliding his finger to an adjacent key, producing a mournful, echoing effect reminiscent of guitar fingerpicking. Guided by Atkins, he participated in countless recording dates, among them Presley’s “Heartbreak Hotel.”
Cramer’s first solo album, That Honky-Tonk Piano, appeared in 1957, and the following year he achieved a modest pop success with the single “Flip, Flop and Bop.” Because his session commitments took precedence, solo projects appeared only occasionally; yet in 1960 he scored a major country and pop success with his own instrumental composition “Last Date.” Its successor, a reading of Bob Wills’s “San Antonio Rose,” climbed into the Top Ten on both charts. Between 1960 and 1962 he issued one LP annually—Hello Blues, Last Date, and I Remember Hank Williams.
From 1965 through 1974 Cramer put out a yearly Class Of… collection featuring contemporary hits rendered in his distinctive manner. In 1971 he joined Atkins and saxophonist Boots Randolph on the album Chet, Floyd and Boots. By 1977 he had begun experimenting with newer instruments; on Keyboard Kick Band he performed on an array of keyboards that included a synthesizer. His final notable chart entry arrived in 1980 with a version of the theme from the television series Dallas. After a relatively quiet stretch through most of the 1980s, he returned in 1988 with three albums—Country Gold, Just Me and My Piano!, and Special Songs of Love. Cramer passed away on December 31, 1997.
Although Cramer issued a handful of solo recordings in 1953, his primary contributions during the first half of the decade came through session work, where he encountered Chet Atkins; Atkins urged the pianist to relocate to Nashville. Cramer made the move in 1955 and rejoined Atkins as the staff pianist for RCA Records, helping shape the emerging Nashville sound—a smoother, more forward-looking approach that shed the rough edges of traditional country and honky-tonk music. Under Atkins’s production, Cramer refined his singular method of striking a note and then gliding his finger to an adjacent key, producing a mournful, echoing effect reminiscent of guitar fingerpicking. Guided by Atkins, he participated in countless recording dates, among them Presley’s “Heartbreak Hotel.”
Cramer’s first solo album, That Honky-Tonk Piano, appeared in 1957, and the following year he achieved a modest pop success with the single “Flip, Flop and Bop.” Because his session commitments took precedence, solo projects appeared only occasionally; yet in 1960 he scored a major country and pop success with his own instrumental composition “Last Date.” Its successor, a reading of Bob Wills’s “San Antonio Rose,” climbed into the Top Ten on both charts. Between 1960 and 1962 he issued one LP annually—Hello Blues, Last Date, and I Remember Hank Williams.
From 1965 through 1974 Cramer put out a yearly Class Of… collection featuring contemporary hits rendered in his distinctive manner. In 1971 he joined Atkins and saxophonist Boots Randolph on the album Chet, Floyd and Boots. By 1977 he had begun experimenting with newer instruments; on Keyboard Kick Band he performed on an array of keyboards that included a synthesizer. His final notable chart entry arrived in 1980 with a version of the theme from the television series Dallas. After a relatively quiet stretch through most of the 1980s, he returned in 1988 with three albums—Country Gold, Just Me and My Piano!, and Special Songs of Love. Cramer passed away on December 31, 1997.
Albums

We Wish You A Merry Christmas
2020

The Slip Note Piano Style
2019

Class of '66
2016

Only the Big Ones
2016

Class of '68
2016

The Best of the West
2016

Class of '65
2015

Country & Blues Piano
2014

20 Greatest Hits
2013

Pop Classics: Volume One
2007

RCA Country Legends: Floyd Cramer
2001

The Essential Floyd Cramer
1995

Collector's Series
1995

Super Country Hits
1995

Piano Masterpieces
1991

Special Songs Of Love
1990

Originals
1990

Dallas
1980

Super Hits
1979

Floyd Cramer Country
1976

Class of '74 & '75
1975

In Concert
1975

More Country Classics
1975

The Young and the Restless
1974

Class of '73
1973

Sounds of Sunday
1973

Class of '72
1972

Detours
1972

Class of '71
1971

Class of '70
1970

Big Ones Volume II
1970

Class of '69
1969

Country Gold
1969

With the Music City Pops
1969

Floyd Cramer Plays Mac Arthur Park
1968

Floyd Cramer Plays Country Classics
1968

Floyd Cramer Plays The Monkees
1967

Class of '67
1967

Hits from the Country Hall of Fame
1965

Country Piano - City Strings
1964

Swing Along With Floyd Cramer
1963

Comin' On
1963

Last Date
1961

On the Rebound
1961

Presenting Floyd Cramer
1953

Fancy Pants
1953
Singles

