Biography
French flutist and bagpiper François Lazarevitch, born on August 25, 1975, has pursued a broad spectrum of traditional European repertoires from earlier centuries alongside their intersections with Baroque idioms. Since establishing the ensemble Les Musiciens de Saint-Julien in 2005, he has served as its artistic director and principal leader.
At age 16, Lazarevitch encountered the veteran keyboardist Antoine Geoffroy-Dechaume, a foundational figure in France’s historically informed performance movement. He pursued formal training at the conservatories of Toulouse, Versailles, Brussels, and Paris, where his instructors included Barthold Kuijken, Daniel Brebbia, and Jean-Christophe Maillard. Further immersion with traditional musicians and dancers led him to adopt folk wind instruments such as the Irish flute and bagpipes, forging a personal idiom that merges Baroque technique with vernacular approaches. He has additionally collaborated with singers specializing in oral-tradition repertory and explored Indian music.
Les Musiciens de Saint-Julien furnishes the platform for Lazarevitch to develop the collective dimensions of this hybrid style, appearing regularly at events such as the Bach Academy of Arques-la-Bataille in Normandy and the Pontoise Baroque Festival. As a soloist he has appeared with Le Concert d'Astrée, Les Talens Lyriques, Ensemble 1700, Capilla Flamenca, and Micrologus. Contemporary music has also engaged his attention; he has presented works by Vincent Bouchot, Annette Messager, and Gérard Pesson.
For the Alpha label Lazarevitch and Les Musiciens de Saint-Julien have produced more than a dozen recordings, several within a series devoted to folk traditions. Their first release, A l'ombre d'un ormeau: Brunettes et contredanses, appeared in 2008. Subsequent projects have encompassed both core Baroque literature, including Bach’s flute sonatas, and traditional collections such as The High Road to Kilkenny. In 2017 Lazarevitch issued a solo account of Telemann’s 12 Fantasias for Solo Flute on Alpha. He has remained exclusively with the label, issuing further discs that range from selections drawn from Der Fluyten Lust-Hof to C.P.E. Bach’s flute-and-piano sonatas. In 2023, Lazarevitch and the ensemble released Beauté Barbare, a program tracing folk elements within Telemann’s output.
At age 16, Lazarevitch encountered the veteran keyboardist Antoine Geoffroy-Dechaume, a foundational figure in France’s historically informed performance movement. He pursued formal training at the conservatories of Toulouse, Versailles, Brussels, and Paris, where his instructors included Barthold Kuijken, Daniel Brebbia, and Jean-Christophe Maillard. Further immersion with traditional musicians and dancers led him to adopt folk wind instruments such as the Irish flute and bagpipes, forging a personal idiom that merges Baroque technique with vernacular approaches. He has additionally collaborated with singers specializing in oral-tradition repertory and explored Indian music.
Les Musiciens de Saint-Julien furnishes the platform for Lazarevitch to develop the collective dimensions of this hybrid style, appearing regularly at events such as the Bach Academy of Arques-la-Bataille in Normandy and the Pontoise Baroque Festival. As a soloist he has appeared with Le Concert d'Astrée, Les Talens Lyriques, Ensemble 1700, Capilla Flamenca, and Micrologus. Contemporary music has also engaged his attention; he has presented works by Vincent Bouchot, Annette Messager, and Gérard Pesson.
For the Alpha label Lazarevitch and Les Musiciens de Saint-Julien have produced more than a dozen recordings, several within a series devoted to folk traditions. Their first release, A l'ombre d'un ormeau: Brunettes et contredanses, appeared in 2008. Subsequent projects have encompassed both core Baroque literature, including Bach’s flute sonatas, and traditional collections such as The High Road to Kilkenny. In 2017 Lazarevitch issued a solo account of Telemann’s 12 Fantasias for Solo Flute on Alpha. He has remained exclusively with the label, issuing further discs that range from selections drawn from Der Fluyten Lust-Hof to C.P.E. Bach’s flute-and-piano sonatas. In 2023, Lazarevitch and the ensemble released Beauté Barbare, a program tracing folk elements within Telemann’s output.
Albums

Voix humaines. Marais: Pièces inédites pour flûte
2025

Mozart: Concertos pour flûte & Concerto pour flûte et harpe
2024

Doux silence
2024

Beauté barbare
2023

C. P. E. Bach: Sonatas for Flute and Fortepiano
2022

Van Eyck: Der Fluyten Lust-Hof
2021

The Queen's Delight
2020

How Vile Are the Sordid Intrigues
2020

Purcell: Songs & Dances
2018

Vivaldi: Le quattro stagioni, La tempesta di mare, Il gardellino & La notte
2017

Telemann: 12 Fantasias for Solo Flute
2017

Noël baroque
2016

The High Road to Kilkenny: Gaelic Songs and Dances of the 17th & 18th Centuries
2016

Bach: Sonates & solo pour la flûte traversière
2014

Je voy le bon tens venir: Polyphonies & danses autour de 1400
2013

For Ever Fortune: Scottish Music in the 18th Century
2012

Et la fleur vole: Airs à danser & airs de cour circa 1600 (Alpha Collection)
2010

La Veillée imaginaire: Airs populaires harmonisés, de Chopin à Canteloube
2010

Le berger poète: Suites et sonates pour flûte et musette (Alpha Collection)
2009

Danses des bergers, danses des loups: Musiques traditionnelles du coeur de la France
2008

À l'ombre d'un ormeau
2007
