Biography
Belgian pianist and composer Francy Boland joined forces with American drummer Kenny Clarke to direct the Clarke-Boland Big Band, an outfit repeatedly hailed as the greatest all-star jazz orchestra formed anywhere beyond American shores. François Boland entered the world on November 6, 1929, in Namur, Belgium, and took up the piano at eight before enrolling at the Music Conservatory. Recognition first arrived in 1949 when he entered the Bob Shots, a unit that also featured tenorist Bobby Jaspar, vibraphonist Fats Sadi, and guitarist René Thomas among its Belgian jazz luminaries. The ensemble cut six albums during its Paris residency.
After the Bob Shots disbanded, Boland and several colleagues remained in France; in 1954 he became pianist and arranger for trumpeter Aimé Barelli. Two years later he entered trumpeter Chet Baker’s quintet, and when Baker headed back to the United States the pianist accompanied him. Boland spent the next two years abroad, during which he contributed charts to Benny Goodman, Count Basie, and Mary Lou Williams. On his return to Europe he established himself in Germany, where he played in Kurt Edelhagen’s orchestra and with the West Deutsche Radio Big Band.
In spring 1961 Boland encountered drummer Clarke; the pair promptly formed an octet that recorded the Blue Note album The Golden Eight. Italian producer Gigi Campi urged them to make the partnership permanent, and the Kenny Clarke-Francy Boland Big Band came into existence. Drawing players from the United States, Britain, Germany, Austria, and Sweden, the group showcased leading post-bop instrumentalists such as Ronnie Scott, Tony Coe, Derek Humble, Nat Peck, and Karl Drewo. Its thirty-odd albums also featured guests Stan Getz, Johnny Griffin, and Zoot Sims. The band stayed active for more than eleven years, surmounting the considerable costs and temperamental challenges of maintaining an international all-star roster. Boland’s scores fused bebop’s structural demands with swing’s rhythmic drive, and his piece “Sax No End” became a contemporary standard.
The Clarke-Boland Big Band concluded its run after a 1972 performance in Nuremburg. Boland then moved to Geneva, where he lived in partial retirement yet continued to compose and arrange, notably fulfilling commissions for Sarah Vaughan. In 1984 he led the project One World, One Peace, setting poems by Pope John Paul II to music. He died in Geneva on August 12, 2005.
After the Bob Shots disbanded, Boland and several colleagues remained in France; in 1954 he became pianist and arranger for trumpeter Aimé Barelli. Two years later he entered trumpeter Chet Baker’s quintet, and when Baker headed back to the United States the pianist accompanied him. Boland spent the next two years abroad, during which he contributed charts to Benny Goodman, Count Basie, and Mary Lou Williams. On his return to Europe he established himself in Germany, where he played in Kurt Edelhagen’s orchestra and with the West Deutsche Radio Big Band.
In spring 1961 Boland encountered drummer Clarke; the pair promptly formed an octet that recorded the Blue Note album The Golden Eight. Italian producer Gigi Campi urged them to make the partnership permanent, and the Kenny Clarke-Francy Boland Big Band came into existence. Drawing players from the United States, Britain, Germany, Austria, and Sweden, the group showcased leading post-bop instrumentalists such as Ronnie Scott, Tony Coe, Derek Humble, Nat Peck, and Karl Drewo. Its thirty-odd albums also featured guests Stan Getz, Johnny Griffin, and Zoot Sims. The band stayed active for more than eleven years, surmounting the considerable costs and temperamental challenges of maintaining an international all-star roster. Boland’s scores fused bebop’s structural demands with swing’s rhythmic drive, and his piece “Sax No End” became a contemporary standard.
The Clarke-Boland Big Band concluded its run after a 1972 performance in Nuremburg. Boland then moved to Geneva, where he lived in partial retirement yet continued to compose and arrange, notably fulfilling commissions for Sarah Vaughan. In 1984 he led the project One World, One Peace, setting poems by Pope John Paul II to music. He died in Geneva on August 12, 2005.
Albums
