Ian Anderson

Ian Anderson earned widespread recognition as the frontman handling vocals, flute, and guitar for the progressive folk-rock group Jethro Tull, though he has also issued multiple recordings credited solely to himself. Born in Fife, Scotland, he developed an early fascination with music shaped by his father James’s collection of big band, jazz, and Elvis Presley’s initial rock & roll sides. The family later moved to Blackpool, where Ian completed his schooling. In 1963 he launched the Blades with fellow students, serving as vocalist and harmonica player. Following repeated name and personnel adjustments, the outfit shifted to Luton in 1967 to draw nearer to London. The ensemble soon disintegrated, after which Anderson endured a series of unrewarding jobs before deciding he “would never be as good as Eric Clapton”; he therefore sold the electric guitar formerly owned by Lemmy from Motörhead and acquired a flute instead. This decision quickly yielded his signature style once he mastered the instrument in a blues-rock idiom that anchored Jethro Tull. Together with bassist Glenn Cornick, guitarist Mick Abrahams, and drummer Clive Bunker, the musicians tested the names Navy Blue and Bag of Blues before fixing on Jethro Tull, at times misspelled as Jethro Toe. Their debut album This Was emerged on Island Records in 1968, laid down only months after Anderson first took up the flute. Commercial impact remained modest, yet the record earned the band a residency at London’s Marquee club, where Anderson refined his theatrical stage manner by bounding about in a threadbare overcoat and balancing on one leg while playing. Jethro Tull went on to complete many further albums, their greatest success arriving in the 1970s via Benefit (1970), Aqualung (1971), Thick as a Brick (1972), and Living in the Past (1972). Anderson has additionally released six solo albums, commencing with “Walk Into Light” in 1983, and has contributed guest spots to Fairport Convention’s Portmeirion and Men Without Hats’ “On Tuesday.” He also produced Steeleye Span’s 1974 album Now We Are Six. Outside music, his commercial interests encompassed ownership of several salmon farms in the U.K.