Artist

JAŸ-Z

Genre: Rap ,Hardcore Rap ,Pop-Rap ,East Coast Rap ,Contemporary Rap
Origin: U.S.A
Active: 1986 - Present
Listen on Coda
Jay-Z ascended from Brooklyn's Marcy Projects to rap's pinnacle as a New York MC, beatmaker, and business architect whose ascent epitomized upward mobility, establishing him among his generation's elite lyricists while building holdings that ranked him with the wealthiest figures in music. His late-1990s arrival via Reasonable Doubt and In My Lifetime, Vol. 1 launched a Billboard dominance that yielded more than a dozen chart-topping LPs across twenty years, among them the multi-platinum Grammy recipient Vol. 2...Hard Knock Life (1999), the Blueprint trilogy (2001, 2002, 2009), and The Black Album (2003). Beyond solo releases, he achieved broad commercial traction alongside pop, R&B, and rock acts, including work with protégé Rihanna on the Grammy-winning single "Umbrella" (2008), Linkin Park on the 2004 mash-up project Collision Course, Alicia Keys on the unofficial New York anthem "Empire State of Mind" (2011) that reached number one, frequent counterpart Kanye West on Watch the Throne (2012), and spouse Beyoncé across multiple singles, global tours, and the joint 2018 set Everything Is Love. He also supplied "What It Feels Like" to the soundtrack of the 2021 Oscar-nominated drama Judas and The Black Messiah. Outside performance, he has led labels (Roc-A-Fella/Roc Nation/Def Jam), owned an NBA franchise (Brooklyn Nets), developed real estate, and launched clothing lines.

Born in 1969 and raised amid the challenges of Brooklyn's Marcy Projects, Jay-Z grew up under his mother's care and gravitated toward street life, gaining local recognition both as an emerging rapper and as a drug dealer. Initially called "Jazzy" in his area, he shortened the moniker to Jay-Z and pursued every avenue to enter rap professionally. Lyrics later recounted how he simultaneously operated as a street-level entrepreneur to generate income. He spent time alongside Jaz-O, also known as Big Jaz, who imparted industry navigation tactics and strategic decisions. Brief membership in Original Flavor followed before Jay-Z chose an unconventional route by founding his own imprint instead of aligning with an existing company as Jaz had. With Damon Dash and Kareem "Biggs" Burke, he established Roc-A-Fella Records, secured Priority Records (later Def Jam) as distributor, and prepared the 1996 debut Reasonable Doubt.

Although Reasonable Doubt peaked at number 23 on the Billboard 200, the project later attained classic status among listeners who often regard it as his defining statement. Powered by the charting duet "Ain't No Nigga" with Foxy Brown, it circulated gradually through New York, attracting audiences via contributions from DJ Premier and the Notorious B.I.G., through prevailing gangsta themes, and through Jay-Z's own presence. Its run produced three additional singles that charted—"Can't Knock the Hustle," "Dead Presidents," and "Feelin' It"—and cleared the path for In My Lifetime, Vol. 1 (1997).

In My Lifetime, Vol. 1 climbed to number three on the Billboard 200 and outsold its predecessor. Pop-leaning producers Puff Daddy and Teddy Riley shaped tracks, while singles such as "Sunshine" and "The City Is Mine" highlighted the pivot toward mainstream appeal, yet harder numbers like "Streets Is Watching" and "Rap Game/Crack Game" preserved gangsta elements. The follow-up, Vol. 2: Hard Knock Life (1998), arrived the next year and delivered multiple Hot 100 successes: "Can I Get A..." and "Hard Knock Life (Ghetto Anthem)" entered the Top 20, joined on the charts by "Cash, Money, Hoes" and "Nigga What, Nigga Who." The album earned the Grammy for Best Rap Album.

Vol. 3: Life and Times of S. Carter (1999) arrived the subsequent year, topped the Billboard 200, and featured the hits "Big Pimpin'" and "Do It Again (Put Ya Hands Up)." It marked his most guest-heavy effort to that point, with ten featured vocalists and production from Dr. Dre and Timbaland. Dynasty Roc la Familia (2000), his fifth release in five years, shifted focus inward to Roc-A-Fella roster members Beanie Sigel, Memphis Bleek, and Freeway while introducing producers the Neptunes, Kanye West, and Just Blaze; the Neptunes cut "I Just Wanna Love U (Give It 2 Me)" became a major single.

The Blueprint (2001) cemented Jay-Z's supremacy in New York rap. Before street date, his Summer Jam 2001 headlining set unveiled "Takeover," whose verse targeted Prodigy of Mobb Deep, amplified by oversized childhood photographs of Prodigy in dance attire. The album version added a third verse aimed at Nas, who had countered the performance by labeling Jay-Z "the fake king of New York" in the "Stillmatic" freestyle. Nas replied with "Ether," prompting Jay-Z's "Super Ugly," which used the instrumental from Nas' "Get Ur Self A..." then Dr. Dre's "Bad Intentions." The exchange generated extensive coverage for both artists. Alongside "Takeover," the album contained the major hit "Izzo (H.O.V.A.)" and topped numerous year-end lists.

Jay-Z extended The Blueprint's momentum through further projects: an Unplugged collaboration with the Roots (2001), Best of Both Worlds with R. Kelly (2002), and the double album The Blueprint²: The Gift & the Curse (2002) assembled from roughly forty new recordings, twenty-five of which appeared on the release. Less introspective and more expansive than its predecessor, it yielded singles highlighted by the 2Pac cover "'03 Bonnie & Clyde" featuring future wife Beyoncé. Summer 2003 also saw guest spots on Beyoncé's number-one "Crazy in Love" and Pharrell Williams' Top Five "Frontin'."

At that juncture Jay-Z declared his retirement pending one final album. The Black Album (2003) was rush-released by Def Jam, reached number one late in the year, and produced "Dirt Off Your Shoulder" and "99 Problems"; Danger Mouse's bootleg The Grey Album capitalized on its tracks. The following year brought a farewell tour culminating in a Madison Square Garden show captured on the Fade to Black DVD, plus an arena run with R. Kelly.

With stature at its height, Jay-Z accepted the Def Jam presidency to steer the label—founded two decades earlier by Russell Simmons and Rick Rubin—through transition. Universal's agreement with him included acquisition of Roc-A-Fella. The appointment drew attention as one of the few instances of an African-American executive at a major label. Early in the role he signed and developed Young Jeezy and Rihanna.

The 2005 I Declare War concert in New York marked his return from retirement, featuring Diddy, Kanye West, and, in a reconciliation gesture, Nas. With the feud resolved, Jay-Z confirmed an ongoing career. Kingdom Come (2006) formalized the comeback, followed by American Gangster (2007), thematically tied to the contemporaneous film. After departing Def Jam to launch Roc Nation as a multifaceted Live Nation venture encompassing label, publishing, and agency functions, he issued The Blueprint 3 (2009). Led by "D.O.A. (Death of Auto-Tune)," it incorporated production from Kanye West and Timbaland plus appearances by West, Rihanna, and Alicia Keys on the blockbuster "Empire State of Mind." Watch the Throne (2011), developed with West and associates over subsequent years, debuted at number one and was driven by "Otis" and "Niggas in Paris."

Blue Ivy Carter arrived January 7, 2012; Jay-Z immediately issued "Glory," crediting the newborn as B.I.C. and thereby making her the youngest artist to appear on a Billboard-charting single. Months later, television spots previewed the twelfth solo album Magna Carta...Holy Grail (2012). Issued July 4, it featured Timbaland and Jerome "J. Roc" Harmon, with Justin Timberlake on the lead track and on that summer's tour. Subsequent years centered on business, philanthropy, and production of the documentary Time: The Kalief Browder Story, alongside guest verses on Drake's "Pop Style" and DJ Khaled's "I Got the Keys." Additional joint appearances, including on Khaled's "Shining" with Beyoncé, preceded induction as the first rap artist into the Songwriters Hall of Fame and the birth of twins, all ahead of 4:44 (2017). The thirteenth album, critically praised and platinum-certified, debuted at number one, earned Grammy nominations for Album of the Year and Song of the Year (for "The Story of O.J.") at the 2018 ceremony. Later that year the Carters mounted the On the Run II stadium tour and surprise-released Everything Is Love, whose Migos-assisted single "Apeshit" was accompanied by a Louvre-shot video; the project reached number two with beats from Pharrell Williams, Mike Dean, Cool & Dre, Boi-1da, and others. In 2021 Jay-Z placed "What It Feels Like," featuring the late Nipsey Hussle, on the Judas and The Black Messiah soundtrack.