Biography
Jacques Loussier, the French pianist renowned for merging jazz phrasing with classical repertoire, first drew widespread attention in the 1960s as leader of his own trio. Displaying strong classical technique from an early age, he turned toward jazz and released a string of inventive albums titled Play Bach that recast the compositions of Johann Sebastian Bach. He later extended the same method to additional classical figures while broadening his scope to include electronics and Latin elements on releases such as the 1979 album Pulsion, the 1999 album Ravel: Bolero, and the 2011 album Schumann: Kinderszenen (Scenes from Childhood). Film and television scores also occupied his time at his Studio Miraval facility in Provence. After experiencing a stroke in 2011, he withdrew from live performance and died in 2019 at age 84.
Born in Angers, France, in 1934 to a banker father and homemaker mother, Loussier began piano instruction near the age of ten. He soon encountered Bach works including “Notebook for Anna Magdalena Bach” and “Prelude in G Minor,” developing an immediate fascination that led him to improvise freely on their themes. During his teenage years he relocated to Paris for private study with pianist Yves Nat, deepening his engagement with Bach alongside Claude Debussy, Gabriel Fauré, and Camille Saint-Saëns. Enrollment at the Conservatoire National Musique followed, where he sharpened his abilities by performing jazz in neighborhood clubs and began composing in a style that fused classical and jazz traditions.
After graduation he built a busy career as an accompanist for vocalists such as Charles Aznavour, Frank Alamo, and Catherine Sauvage, traveling widely enough to absorb musical influences from the Middle East and Latin America. He simultaneously assembled a trio featuring bassist Pierre Michelot and drummer Christian Garros. The group introduced its Bach-centered jazz arrangements on Decca with Play Bach No. 1 in 1959 and continued through Play Bach Aux Champs Élysées in 1965. The ensemble remained active for fifteen years, switching to Philips/Phonogram in the early 1970s and ultimately selling more than six million records. Their treatment of Bach’s “Air on the G String” reached a broad audience through its placement in award-winning Benson & Hedges television advertisements. Parallel to trio work, Loussier supplied scores for films including the 1967 release The Killing Game, the 1968 release The Dark of the Sun, and the 1969 release You Only Love Once.
In the early 1970s he dissolved the original trio and established himself in Provence, founding Studio Miraval. The facility later hosted sessions by Elton John, Sting, and Pink Floyd in addition to Loussier’s own projects. Working independently, he pursued electronics, funk, and Latin textures on albums such as 1979’s Pulsion and 1982’s Pagan Moon. Marking the 300th anniversary of Bach’s birth in 1985, he assembled a second trio that retained the classical-jazz blend while incorporating the broader stylistic range he had developed. With this lineup he issued Jacques Loussier Plays Bach in 1996, which reached number 33 on the Billboard Classical Albums chart.
Subsequent projects included the 1999 releases Bach Book: 40th Anniversary Album and Ravel: Bolero, both preserving his characteristic fusion. In 2000 he collaborated with Turkish pianists Güher and Süher Pekinel on Take Bach. Baroque Favorites: Jazz Improvisations followed in 2001 and entered the Top 50 of the Billboard Classical Albums chart. Comparable recordings devoted to Beethoven, Mozart, and Chopin appeared as well. In 2002 Loussier brought suit against rapper Eminem and producer Dr. Dre, alleging that segments of the track “Kill You” derived from his composition “Pulsion”; the case concluded with an out-of-court settlement. The 75-year-old pianist delivered Plays Bach: The 50th Anniversary Recording with his trio in 2009 and turned to Robert Schumann’s 1838 work for the 2011 album Schumann: Kinderszenen (Scenes from Childhood). A stroke in 2011 ended his performing career. He died on March 5, 2019, at a hospital in Blois in France’s Loire Valley at the age of 84.
Born in Angers, France, in 1934 to a banker father and homemaker mother, Loussier began piano instruction near the age of ten. He soon encountered Bach works including “Notebook for Anna Magdalena Bach” and “Prelude in G Minor,” developing an immediate fascination that led him to improvise freely on their themes. During his teenage years he relocated to Paris for private study with pianist Yves Nat, deepening his engagement with Bach alongside Claude Debussy, Gabriel Fauré, and Camille Saint-Saëns. Enrollment at the Conservatoire National Musique followed, where he sharpened his abilities by performing jazz in neighborhood clubs and began composing in a style that fused classical and jazz traditions.
After graduation he built a busy career as an accompanist for vocalists such as Charles Aznavour, Frank Alamo, and Catherine Sauvage, traveling widely enough to absorb musical influences from the Middle East and Latin America. He simultaneously assembled a trio featuring bassist Pierre Michelot and drummer Christian Garros. The group introduced its Bach-centered jazz arrangements on Decca with Play Bach No. 1 in 1959 and continued through Play Bach Aux Champs Élysées in 1965. The ensemble remained active for fifteen years, switching to Philips/Phonogram in the early 1970s and ultimately selling more than six million records. Their treatment of Bach’s “Air on the G String” reached a broad audience through its placement in award-winning Benson & Hedges television advertisements. Parallel to trio work, Loussier supplied scores for films including the 1967 release The Killing Game, the 1968 release The Dark of the Sun, and the 1969 release You Only Love Once.
In the early 1970s he dissolved the original trio and established himself in Provence, founding Studio Miraval. The facility later hosted sessions by Elton John, Sting, and Pink Floyd in addition to Loussier’s own projects. Working independently, he pursued electronics, funk, and Latin textures on albums such as 1979’s Pulsion and 1982’s Pagan Moon. Marking the 300th anniversary of Bach’s birth in 1985, he assembled a second trio that retained the classical-jazz blend while incorporating the broader stylistic range he had developed. With this lineup he issued Jacques Loussier Plays Bach in 1996, which reached number 33 on the Billboard Classical Albums chart.
Subsequent projects included the 1999 releases Bach Book: 40th Anniversary Album and Ravel: Bolero, both preserving his characteristic fusion. In 2000 he collaborated with Turkish pianists Güher and Süher Pekinel on Take Bach. Baroque Favorites: Jazz Improvisations followed in 2001 and entered the Top 50 of the Billboard Classical Albums chart. Comparable recordings devoted to Beethoven, Mozart, and Chopin appeared as well. In 2002 Loussier brought suit against rapper Eminem and producer Dr. Dre, alleging that segments of the track “Kill You” derived from his composition “Pulsion”; the case concluded with an out-of-court settlement. The 75-year-old pianist delivered Plays Bach: The 50th Anniversary Recording with his trio in 2009 and turned to Robert Schumann’s 1838 work for the 2011 album Schumann: Kinderszenen (Scenes from Childhood). A stroke in 2011 ended his performing career. He died on March 5, 2019, at a hospital in Blois in France’s Loire Valley at the age of 84.
Albums

Pagan Moon
2021

Pulsion / Sous La Mer
2021

Pulsion
2021

Play Bach - Trio Loussier
2021

Play Bach Timeless
2019

World Music Vol. 2
2014

My Personal Favorites: The Jacques Loussier Trio Plays Bach
2014

Beyond Bach, Other Composers I Adore
2014

Jacques Loussier Plays Bach: The 50th Anniversary Recording
2009

Impressions On Chopin's Nocturnes
2004

Play Bach N. 2
2002

Play Bach N. 1
2001

Take Bach
2000

Play Bach N 5
2000

Plays Bach, Vol. 2
2000

Plays Bach, Vol. 1
1997

The Best of Play Bach
1990

Plays Weill
1962

Plays Bach, Vol. 3
1961
Singles

