Born Melbourne James in 1949 in Kingston, Jamaica, West Indies, Jah Stitch ranked among the earliest sound-system DJs. Though widely recognized for toasting, he launched his musical path by harmonizing in a local yard with Roy Shirley, Stranger Cole, the Wailers and the Heptones. He quickly rose to the top microphone slot for both Lord Tippertone and Black Harmony. Errol Holt guided his first recording, “Danger Zone,” whose vocal style echoed that of Big Youth, an early mentor to the novice DJ. A string of his initial successes reworked tracks from Johnny Clarke’s catalogue, among them “Legalise It” retitled “Collie Bud,” “My Conversation” retitled “How Long Jah Jah,” and “Roots Natty Roots Natty Congo” retitled “True Born African.” Further chart entries comprised “Crazy Joe,” “King In The Arena” and the Yabby You collaboration “African Queen.” Shortly before the One Love Peace Concert—staged to curb rising street clashes and lift Jamaica’s State of Emergency—Jah Stitch suffered a shooting. Despite lasting effects, he reentered the studio and answered with “No Dread Can’t Dead.” By 1977 he scored additional hits with “Militant Man” and “Jah Jah Forgive You,” then mounted a successful UK tour. Reappearing in 1985 under the name Major Stitch, he selected records for Sugar Minott’s Youth Promotion sound system, giving early exposure to emerging singers Tenor Saw, Jah Mikey, Dickie Ranking and Yammie Bolo. After years out of the spotlight, he resumed recording in 1995 alongside Trevor Douglas and Jah Woosh, an output later anthologized on a Blood & Fire compilation issued by Simply Red’s label.
