Biography
James Bowman emerged as a pivotal English countertenor whose rising prominence helped restore the countertenor voice to contemporary concert and stage practice. His career featured close partnerships with Benjamin Britten and David Munrow, and he ultimately contributed to more than 180 recordings spanning every historical period.
Born in Oxford in 1941, Bowman began performing as a child. He received his early training at the King’s School in Ely, serving first as a boy chorister with the Ely Cathedral Choir and later advancing to head chorister. Following the change in his voice he sang bass for a time, yet in 1959 he made his initial appearance as a countertenor in the Lady Chapel and continued exclusively in that register. In 1960 he entered New College, Oxford as a choral scholar, completing a diploma in education in 1964 and an M.A. in History in 1967 while participating in the New College Choir, the Christ Church Choir, and the Choir of Westminster Abbey.
After leaving university, Bowman auditioned for Benjamin Britten’s English Opera Group and was cast as Oberon in the premiere production of A Midsummer Night’s Dream, an engagement that also marked his debut at London’s Queen Elizabeth Hall. Britten subsequently composed Canticle No. 4 for him and assigned him the role of Apollo in Death in Venice. Bowman took part in the first performances of several other contemporary scores, among them Ridout’s Phaeton, Maxwell Davies’ Taverner, and Tippett’s The Ice Break. He maintained regular associations with leading early-music ensembles, notably the Early Music Consort of London and Pro Cantione Antiqua, and earned widespread recognition in that repertory.
Throughout the 1970s and 1980s he maintained an intensive schedule of tours and recordings; in 1990 he finally committed Britten’s A Midsummer Night’s Dream to disc. The following decade brought formal distinctions that included the Medal of Honor from the city of Paris, an honorary doctorate from the University of Newcastle, and appointment as Commander of the Order of the British Empire. In 2000 he accepted membership among the Gentlemen of Her Majesty’s Chapel Royal of St. James’ Palace. Early in the new century he released the albums Eternal Source of Light and Songs for Ariel, and in 2008 he collaborated with Andrew Swait and Andrew Plant on Songs of Innocence. His last London recital took place in 2011 at Wigmore Hall, accompanied by harpsichordist Mahan Esfahani; thereafter he appeared only occasionally. Bowman died in 2023.
Born in Oxford in 1941, Bowman began performing as a child. He received his early training at the King’s School in Ely, serving first as a boy chorister with the Ely Cathedral Choir and later advancing to head chorister. Following the change in his voice he sang bass for a time, yet in 1959 he made his initial appearance as a countertenor in the Lady Chapel and continued exclusively in that register. In 1960 he entered New College, Oxford as a choral scholar, completing a diploma in education in 1964 and an M.A. in History in 1967 while participating in the New College Choir, the Christ Church Choir, and the Choir of Westminster Abbey.
After leaving university, Bowman auditioned for Benjamin Britten’s English Opera Group and was cast as Oberon in the premiere production of A Midsummer Night’s Dream, an engagement that also marked his debut at London’s Queen Elizabeth Hall. Britten subsequently composed Canticle No. 4 for him and assigned him the role of Apollo in Death in Venice. Bowman took part in the first performances of several other contemporary scores, among them Ridout’s Phaeton, Maxwell Davies’ Taverner, and Tippett’s The Ice Break. He maintained regular associations with leading early-music ensembles, notably the Early Music Consort of London and Pro Cantione Antiqua, and earned widespread recognition in that repertory.
Throughout the 1970s and 1980s he maintained an intensive schedule of tours and recordings; in 1990 he finally committed Britten’s A Midsummer Night’s Dream to disc. The following decade brought formal distinctions that included the Medal of Honor from the city of Paris, an honorary doctorate from the University of Newcastle, and appointment as Commander of the Order of the British Empire. In 2000 he accepted membership among the Gentlemen of Her Majesty’s Chapel Royal of St. James’ Palace. Early in the new century he released the albums Eternal Source of Light and Songs for Ariel, and in 2008 he collaborated with Andrew Swait and Andrew Plant on Songs of Innocence. His last London recital took place in 2011 at Wigmore Hall, accompanied by harpsichordist Mahan Esfahani; thereafter he appeared only occasionally. Bowman died in 2023.
Albums

'Like This' Guesting with Circle
2024

Burgon: Canciones del alma, Acquainted with Night, Nunc dimittis, Worldës Blissë, This Ean Night & Lunar Beauty
2023

A Celebration of James Bowman
2023

Songs and Sorrowful Sonnets
2023

Music from the Courts of Europe - London
2019

Elizabethan Lute Songs - Purcell: Birthday Odes for Queen Mary
2019

Purcell: The Fairy Queen; Songs And Arias
2019

Thus Angels Sung
2014

Handel: Esther, HWV 50b
2014

Handel: Silla, HWV 10
2014

Vivaldi: Gloria; Stabat Mater
2012

Allegri: Miserere; Renaissance Polyphony; Consort Songs
2010

Vivaldi: Salve Regina / Telemann: Easter Cantata
2010

Purcell: Here Let My Life
2007

Vivaldi / Telemann / Bach / Pergolesi
2006

Theatre Of Early Music: Love Bade Me Welcome - Songs and Poetry From the Renaissance
2005

The Glories of Handel Opera
2000

Handel: Julius Caesar
1999

Ferrabosco & Byrd: Consort Music
1999

Vivaldi: Gloria/Nisi Dominus/4 Cantatas etc.
1997

The Art of James Bowman
1996

The James Bowman Collection
1996

Handel: English Arias from the Oratorios
1995

Britten - The Little Sweep; Rejoice in the Lamb
1995

Schutz: Symphoniae Sacrae II
1994

Purcell: Dioclesian
1994

Purcell: Dioclesian, Z. 627
1994

Purcell: Dioclesian Masque & Timon of Athens Masque
1994

Handel: Israel in Egypt etc.
1994

Bach, J.S. / Vivaldi: Magnificat / Nisi Dominus / Nulla in Mundo Pax Sincera etc.
1994

Cantate ad alto solo
1992

Handel: Heroic Arias
1991

Awake, Sweet Love
1991

Handel: Orlando
1991

Purcell: Mr Henry Purcell's Most Admirable Composures
1989

Handel: Chandos Anthems, Vol. 3
1989

Pergolesi: Stabat Mater; Salve Regina
1989

Handel: Complete Chandos Anthems
1988

Purcell & Blow: Countertenor Duets
1988

Orff: Carmina Burana
1984

Handel: Ariodante
1979

The King Shall Rejoice & Other Chapel Royal Anthems
1977

Vivaldi: Stabat Mater; Concerto in G minor; Nisi Dominus
1976

Purcell: Te Deum & Jubilate; Complete Funeral Sentences
1972

Cavalli: La Calisto
1972
