Biography
Known primarily by the nickname drawn from his chosen instrument, Johnny "Hammond" Smith ranks among the less celebrated soul-jazz organists during the idiom’s peak years. John Robert Smith entered the world in Louisville, Kentucky, on 16 December 1933. As a youngster he studied piano, holding Bud Powell and Art Tatum in high esteem. Relocating to Cleveland exposed him to Wild Bill Davis, the trailblazing jazz organist, prompting a decisive change of instrument. His first paid engagement at the organ occurred in 1958, coinciding with his role as accompanist to vocalist Nancy Wilson.
From 1959 onward Smith led sessions for Prestige, an affiliation that continued until 1970 and yielded such notable releases as That Good Feelin’, Talk That Talk, Black Coffee, Open House, Ebb Tide, and Soul Talk. Over time his approach grew steadily funkier. In 1971 he adopted the shorter professional name Johnny Hammond and joined the CTI family of labels headed by producer Creed Taylor. Across the following three years he completed five jazz-funk albums, among them Breakout, Wild Horses/Rock Steady, and Gambler’s Life, the latter shaped by the Mizell Brothers.
The year 1975 found him on Milestone, where he delivered Gears, a further Mizell Brothers collaboration that drew sharp criticism from traditionalists yet earned lasting admiration among acid-jazz listeners. Additional Milestone dates followed before Smith largely stepped away from jazz, relocating to Southern California to pursue real-estate interests. Sporadic recording resumed in the 1990s, yet illness intervened; he succumbed to cancer on 4 June 1997.
From 1959 onward Smith led sessions for Prestige, an affiliation that continued until 1970 and yielded such notable releases as That Good Feelin’, Talk That Talk, Black Coffee, Open House, Ebb Tide, and Soul Talk. Over time his approach grew steadily funkier. In 1971 he adopted the shorter professional name Johnny Hammond and joined the CTI family of labels headed by producer Creed Taylor. Across the following three years he completed five jazz-funk albums, among them Breakout, Wild Horses/Rock Steady, and Gambler’s Life, the latter shaped by the Mizell Brothers.
The year 1975 found him on Milestone, where he delivered Gears, a further Mizell Brothers collaboration that drew sharp criticism from traditionalists yet earned lasting admiration among acid-jazz listeners. Additional Milestone dates followed before Smith largely stepped away from jazz, relocating to Southern California to pursue real-estate interests. Sporadic recording resumed in the 1990s, yet illness intervened; he succumbed to cancer on 4 June 1997.
Albums
