Biography
Kat Parra, a vocalist based in San Jose, California, approaches jazz with notable flexibility and openness while drawing heavily from Latin traditions and also absorbing elements of Middle Eastern, Arabic, and North African styles. Although Latin jazz frequently points to Afro-Cuban expressions, Parra’s work reflects that lineage along with wider Latin currents; she has named the late salsa singer Celia Cruz among her key inspirations and has merged jazz with Brazilian samba as well as Afro-Peruvian forms. An instrumentalist on flute, guitar, and piano, she further credits the traditional repertoire of Spain’s Sephardic Jewish community, having created jazz versions of pieces such as “Por la Tu Puerta” and “Esta Montanya d’Enfrente.” Parra, who identifies as roughly 75 percent Russian Jewish and 25 percent Sephardic Jewish, has sung in English, fluent Spanish, Portuguese, French, and Ladino, the Romance language historically tied to Sephardic communities.
A native of Northern California who spent part of her teenage years in Chile, she later relocated to Southern California and enrolled at the University of California, Los Angeles, where she pursued classical flute and voice studies for one year. Returning to the Silicon Valley region, she concentrated on jazz vocal training at San Jose State University under Patti Cathcart of the duo Tuck & Patti, whom Parra has called her musical mentor and a formative influence. For five years she served as lead singer with the Bay Area salsa ensemble Charanga Nueve, whose charanga lineup—centered on flute and violin—echoes groups such as Orquesta Aragón and Orquesta Broadway. During that period the band shared bills with prominent salsa acts including Celia Cruz and Cuba’s Los Van Van; Parra has described the opportunity to meet and converse with Cruz as a career peak. She maintained a full-time position at Cisco Systems alongside those performances until 2006, when she left the company to devote herself entirely to music.
That same year saw the release of her debut solo album, Birds in Flight, produced by Bay Area trombonist Wayne Wallace and issued on JazzMa Records. Parra subsequently joined Wallace’s independent imprint Patois Records, which reissued Birds in Flight in 2007. Her follow-up, Azucar de Amor (Sugar of Love), appeared on Patois in 2008, again produced and largely arranged by Wallace.
A native of Northern California who spent part of her teenage years in Chile, she later relocated to Southern California and enrolled at the University of California, Los Angeles, where she pursued classical flute and voice studies for one year. Returning to the Silicon Valley region, she concentrated on jazz vocal training at San Jose State University under Patti Cathcart of the duo Tuck & Patti, whom Parra has called her musical mentor and a formative influence. For five years she served as lead singer with the Bay Area salsa ensemble Charanga Nueve, whose charanga lineup—centered on flute and violin—echoes groups such as Orquesta Aragón and Orquesta Broadway. During that period the band shared bills with prominent salsa acts including Celia Cruz and Cuba’s Los Van Van; Parra has described the opportunity to meet and converse with Cruz as a career peak. She maintained a full-time position at Cisco Systems alongside those performances until 2006, when she left the company to devote herself entirely to music.
That same year saw the release of her debut solo album, Birds in Flight, produced by Bay Area trombonist Wayne Wallace and issued on JazzMa Records. Parra subsequently joined Wallace’s independent imprint Patois Records, which reissued Birds in Flight in 2007. Her follow-up, Azucar de Amor (Sugar of Love), appeared on Patois in 2008, again produced and largely arranged by Wallace.
Albums
