Artist

Lil' Louis

Genre: Electronic ,Club/Dance ,House
Origin: U.S.A
Active: 1987 - Present
Listen on Coda
During the closing years of the 1980s, Lil' Louis ranked among Chicago's foremost house music creators, largely on the strength of the enormous club success achieved by his track "French Kiss." He stood apart as the only Chicago-based producer who forged productive relationships with major labels, issuing a pair of albums on Epic before departing the roster entirely on his own terms. A Chicago native and the son of guitarist Bobby Sims—who cut sides for Chess and performed with the psychedelic-soul ensemble Rotary Connection—Lil' Louis grew up alongside nine siblings. As a youngster he took up both drums and bass, then moved into DJ work by the middle of the 1970s, acquiring his nickname through early appearances at the River's Edge while still attending middle school. By decade's end he had opened his own venue, the Future, and begun sharpening his editing skills first on a cassette deck and later on reel-to-reel tape.

Throughout the 1980s Lil' Louis promoted the city's largest house gatherings and simultaneously started capturing his own studio productions. His debut single, "How I Feel," surfaced on the imprint he founded himself, after which he teamed with Marshall Jefferson for several cuts, among them Hercules' "Seven Ways to Jack" and Byron Stingily's "I Can't Stay Awake." In 1987 the fresh release "French Kiss" registered locally before CBS and ffrr licensed it, transforming the track into a platinum-certified international standard. That breakthrough secured a major-label deal with Epic and yielded the 1989 debut album From the Mind of Lil' Louis. Spanning jazz-fusion and R&B alongside house, the set ranked among the strongest LPs delivered by any Chicago originator and featured contributions from Larry Heard, Die Warzau, and Lil' Louis's father on drums. The brooding single "I Called U" emerged from the project as another club favorite.

The more cohesive follow-up, Journey with the Lonely, met with weaker returns, prompting Lil' Louis to step away from recording for more than four years. He instead established a personal studio in New York and lent production support to Babyface and Me'Shell NdegeOcello. Upon resurfacing he joined forces with "Little" Louie Vega of Masters at Work and handled additional production duties for Black Magic.