Biography
Although Lissa Schneckenburger anchors her expressive fiddle lines and light vocals in British Isles traditions, her original material carries a distinctive personal stamp. The New England musician surfaced in the early 2000s already showing strong command of Celtic repertoire, yet she later ventured into modern song styles, issuing a wide-ranging set of reinterpretations in 2013 before delivering the entirely original folk-pop album Thunder in My Arms in 2019. She opened the following decade with several singles, among them the 2021 track “Bedlam Blues.”
Raised in rural Maine, Schneckenburger felt an early pull toward folk idioms and took up the fiddle at six. After completing studies at the New England Conservatory of Music she introduced herself with the 2001 release Different Game, which blended her own compositions with traditional fiddle pieces in a buoyant style. The 2003 duo project Phantom Power, recorded with pianist Bruce Rosen, came next. While maintaining an active schedule of teaching and concerts, she kept issuing recordings in that vein, including the self-titled Lissa Schneckenburger in 2005 and Song in 2008, both of which drew on assorted collaborators. After Dance appeared in 2010 she turned toward her pop, rock, and country leanings. Covers, released in 2013, presented her versions of material by Joni Mitchell, Bruce Springsteen, and the Magnetic Fields. Expanding further, Thunder in My Arms marked her first collection of wholly original songs and drew much of its impetus from the adoption of her son. In the two years that followed, Schneckenburger issued the independent singles “Labor On” and “Bedlam Blues.”
Raised in rural Maine, Schneckenburger felt an early pull toward folk idioms and took up the fiddle at six. After completing studies at the New England Conservatory of Music she introduced herself with the 2001 release Different Game, which blended her own compositions with traditional fiddle pieces in a buoyant style. The 2003 duo project Phantom Power, recorded with pianist Bruce Rosen, came next. While maintaining an active schedule of teaching and concerts, she kept issuing recordings in that vein, including the self-titled Lissa Schneckenburger in 2005 and Song in 2008, both of which drew on assorted collaborators. After Dance appeared in 2010 she turned toward her pop, rock, and country leanings. Covers, released in 2013, presented her versions of material by Joni Mitchell, Bruce Springsteen, and the Magnetic Fields. Expanding further, Thunder in My Arms marked her first collection of wholly original songs and drew much of its impetus from the adoption of her son. In the two years that followed, Schneckenburger issued the independent singles “Labor On” and “Bedlam Blues.”
Albums
