Biography
During the first half of the 1970s, Kenny Loggins and Jim Messina stood out as the era’s most successful pop and rock duo. A staff songwriter at the time, Loggins had already placed several compositions with the Nitty Gritty Dirt Band when producer Jim Messina—formerly of Buffalo Springfield and Poco—took notice. What began as a plan for Messina to helm Loggins’s debut instead evolved into a partnership, yielding the 1972 release Kenny Loggins with Jim Messina Sittin’ In. The album earned gold certification and remained on the charts for more than two years.
Over the ensuing four years the pair issued a string of gold and platinum efforts, nearly all of which reached the Top Ten. Their sound centered on an upbeat country-rock approach supported by a skilled ensemble. The self-titled Loggins & Messina from 1972 contained the retro-rock hit “Your Mama Don’t Dance.” Full Sail arrived in 1973, followed in 1974 by the double live set On Stage and the studio album Mother Lode, each climbing into the Top Ten. So Fine offered a collection of covers drawn from the 1950s, while Native Sons, their final new studio project, surfaced at the start of 1976.
By year’s end the duo had parted ways to pursue separate careers, their catalog rounded out by the greatest-hits compilation Best of Friends and the live recording Finale. They reconvened in 2005 for a summer tour that coincided with the arrival of the anthology The Best: Sittin’ in Again. The performances were later captured on Live: Sittin’ in Again at Santa Barbara Bowl, issued late that same year.
Over the ensuing four years the pair issued a string of gold and platinum efforts, nearly all of which reached the Top Ten. Their sound centered on an upbeat country-rock approach supported by a skilled ensemble. The self-titled Loggins & Messina from 1972 contained the retro-rock hit “Your Mama Don’t Dance.” Full Sail arrived in 1973, followed in 1974 by the double live set On Stage and the studio album Mother Lode, each climbing into the Top Ten. So Fine offered a collection of covers drawn from the 1950s, while Native Sons, their final new studio project, surfaced at the start of 1976.
By year’s end the duo had parted ways to pursue separate careers, their catalog rounded out by the greatest-hits compilation Best of Friends and the live recording Finale. They reconvened in 2005 for a summer tour that coincided with the arrival of the anthology The Best: Sittin’ in Again. The performances were later captured on Live: Sittin’ in Again at Santa Barbara Bowl, issued late that same year.
Albums
