Biography
Based in New York, composer and multi-instrumentalist Luke Cissell crafts singular pieces that merge radiant melodies with elaborate forms, pulling from an expansive array of influences that reach from post-rock and classical to bluegrass and dream pop. A violinist steeped in classical technique yet grounded in Kentucky fiddling traditions, he built a busy career as a sought-after session player before issuing his own richly detailed instrumental albums, among them Thinking/Feeling in 2018, Emerald Cities in 2021, and Serenade in 2023.
Hailing from Louisville, Kentucky, the musical prodigy claimed a bluegrass fiddle title by age eight, then advanced through classical circles to earn a Princeton degree. After settling in New York he launched his compositional work, financing it with flexible session engagements that placed him alongside artists from Philip Glass to Ingrid Michaelson. Performances followed at storied local rooms, stretching from gritty clubs such as CBGB to the distinguished stage of Carnegie Hall. Starting with Cosmography in 2013, he launched a run of boldly varied albums that wove his many passions into a hybrid sound defying easy labels, one that braided bluegrass fiddle, luminous electronics, folk, classical, jazz, progressive rock, and art pop. Some releases, Backwoods in 2015 among them, tilted toward earthy, pastoral folk textures, while others, including Thinking/Feeling in 2018, favored an unrestrained fusion of experimental chamber pop and globally inflected arrangements. Cissell sustained his classical connections by writing modern yet idiosyncratic suites such as String Sextets Nos. 1 & 2 in 2019. He typically handles nearly every instrumental part on his recordings.
During the following decade his music absorbed further electronic layers while retaining the customary mix of strings, guitars, drums, and folk instruments. Nightside in 2020 formed a sci-fi Baroque set, and Emerald Cities in 2022 paired cinematic prog-rock gestures with gleaming synth-pop surfaces. The composer resurfaced the next year with Serenade.
Hailing from Louisville, Kentucky, the musical prodigy claimed a bluegrass fiddle title by age eight, then advanced through classical circles to earn a Princeton degree. After settling in New York he launched his compositional work, financing it with flexible session engagements that placed him alongside artists from Philip Glass to Ingrid Michaelson. Performances followed at storied local rooms, stretching from gritty clubs such as CBGB to the distinguished stage of Carnegie Hall. Starting with Cosmography in 2013, he launched a run of boldly varied albums that wove his many passions into a hybrid sound defying easy labels, one that braided bluegrass fiddle, luminous electronics, folk, classical, jazz, progressive rock, and art pop. Some releases, Backwoods in 2015 among them, tilted toward earthy, pastoral folk textures, while others, including Thinking/Feeling in 2018, favored an unrestrained fusion of experimental chamber pop and globally inflected arrangements. Cissell sustained his classical connections by writing modern yet idiosyncratic suites such as String Sextets Nos. 1 & 2 in 2019. He typically handles nearly every instrumental part on his recordings.
During the following decade his music absorbed further electronic layers while retaining the customary mix of strings, guitars, drums, and folk instruments. Nightside in 2020 formed a sci-fi Baroque set, and Emerald Cities in 2022 paired cinematic prog-rock gestures with gleaming synth-pop surfaces. The composer resurfaced the next year with Serenade.
Albums
