Artist

Mark Riva

Genre: Downtempo ,Downbeat ,Trip-Hop
Origin: U.S.A
Listen on Coda
Mark Riva has worked as a club DJ, mixmaster, and producer since the early 1980s, maintaining a steady presence in dance and club music. His selections have consistently leaned toward the melodic and atmospheric dimensions of the genre rather than its harder, more aggressive underground expressions. In clubs he became recognized for house music sets, while also developing a strong affinity for ambient, chillout, downtempo, trip-hop, and acid jazz—the latter a high-tech dance style carrying jazz inflections. He further cultivated a hybrid approach that fuses club rhythms with Afro-Cuban, Brazilian, and Caribbean ingredients, an aesthetic he terms “sungrooves” to evoke the warm, tropical atmospheres of the Caribbean and South America.

His foundation lies in 1970s disco and disco-soul. Having begun to spin records in clubs in 1982, Riva emerged from the same period that produced Chic, Donna Summer, Loleatta Holloway, Gloria Gaynor, the Crown Heights Affair, and KC & the Sunshine Band. Although deeply attached to that era, he did not remain confined to it. Throughout the 1980s he tracked the rise of house music, absorbing the contributions of Marshall Jefferson, Frankie Knuckles, Ten City, Adeva, Black Box, Xaviera Gold, and Inner City. Deep house held particular appeal for him, a style that extends the legacy of late-1970s disco-soul artists such as Thelma Houston, Linda Clifford, the Trammps, and Double Exposure. During the 1990s he continued to adapt, incorporating sets that ranged across deep house, acid jazz, ambient, chillout, downtempo, trip-hop, and world/electronica fusions.

In 2003 Kriztal Entertainment issued Mark Riva Presents: Sungrooves, a continuous 78-minute dance mix featuring the club-oriented work of John Beltran, Afro-Mystik, Russ Gabriel, P'taah, Wagon Cookin', and François K., among others. The recording’s lush yet rhythmic character reflected Riva’s ongoing attraction to electronica’s gentler textures, while its title signaled his ongoing effort to merge high-tech club music with Caribbean and Latin elements.