Monty Alexander

Jamaica-born pianist Monty Alexander delivers urbane, swinging performances rooted in the bop tradition while drawing deeply on the reggae and Caribbean folk music of his youth. Early exposure to pianist Oscar Peterson helped him attract notice through nightclub appearances in the late 1950s. After relocating to Miami he reached a broader audience via the 1965 release Alexander the Great and the 1976 recording Live! Montreux Alexander. Across subsequent decades he pursued a vibrant, cross-pollinated approach that ranged from straight-ahead acoustic jazz to Jamaican-inflected projects such as the 1980 album Trio, 1994’s Jamboree: Monty Alexander’s Ivory and Steel, and the 2011 Grammy-nominated Harlem-Kingston Express. Those same threads informed the Thelonious Monk-inspired Wareika Hill Rastamonk Vibrations in 2019 and Love Notes in 2022. In 2024 he issued D-Day to commemorate the 80th anniversary of the Normandy landings during World War II.

Born in Kingston, Jamaica, in 1944, Alexander began playing piano around age four and received classical instruction from age six. During his teenage years he turned to jazz and started performing in nightclubs, covering contemporary pop and rock material while also working with ska, reggae, and calypso ensembles including Clue J & His Blues Blasters. Jazz figures such as Oscar Peterson, Duke Ellington, Frank Sinatra, and Nat King Cole remained his strongest influences. In 1961 he moved with his family to Miami, Florida, to advance his career. There he met restaurateur and Frank Sinatra associate Jilly Rizzo, who engaged him as house pianist at the New York club Jilly’s. For several years Alexander resided in New York and performed at Jilly’s, forming friendships and sharing stages with artists including Sinatra, Ray Brown, and Milt Jackson. This exposure led him to Los Angeles in 1964, where he recorded well-received albums for Pacific Jazz such as Alexander the Great and Spunky. Further releases followed, among them 1967’s Zing! on RCA and 1969’s This Is Monty Alexander on Verve; that same year he appeared on vibraphonist Milt Jackson’s That’s the Way It Is.

During the 1970s Alexander developed a sustained partnership with Germany’s MPS label, issuing albums including 1971’s Here Comes the Sun, 1974’s Perception!, and 1977’s Cobilimbo alongside longtime associate Ernest Ranglin. These recordings often merged jazz with Caribbean elements from his upbringing. He also established working ties with bassist John Clayton and drummer Jeff Hamilton, whose trio first gained acclaim on 1976’s Live! Montreux Alexander and continued in various formats over subsequent decades. Additional collaborations included further sessions with Milt Jackson plus appearances on albums by Quincy Jones, Dizzy Gillespie, and Phyllis Hyman.

The 1980s brought continued exploration of straight-ahead jazz and Caribbean traditions on releases such as 1983’s The Duke Ellington Songbook, 1985’s The River, and 1986’s Li’l Darlin’. He rejoined Clayton and Hamilton for 1983’s Reunion in Europe and teamed with bassist Ray Brown on 1985’s Full Steam Ahead and 1987’s The Red Hot Ray Brown Trio. Later projects encompassed 1994’s Live at Maybeck and the reggae-inflected 1995 album Yard Movement, followed by 1997’s Frank Sinatra-inspired Echoes of Jilly’s and 1999’s Stir It Up: The Music of Bob Marley.

In 2000 the Jamaican government named Alexander a worldwide music ambassador and awarded him the title of Commander in the Order of Distinction for his contributions to the island. That year he collaborated with Sly Dunbar and Robbie Shakespeare on Monty Meets Sly & Robbie, then with pianist Michel Sardaby on 2001’s Caribbean Duet. Reunions with Ray Brown and guitarist Herb Ellis produced 2002’s Triple Scoop and 2003’s Straight Ahead, while tribute recordings included 2008’s The Good Life: Monty Alexander Plays the Songs of Tony Bennett and 2009’s Calypso Blues: The Songs of Nat King Cole.

Alexander next spotlighted his blend of reggae, ska, R&B, and jazz on the 2011 Grammy-nominated Harlem-Kingston Express and its 2014 sequel Harlem-Kingston Express, Vol. 2: River Rolls On, both captured at Dizzy’s Club Coca-Cola at Lincoln Center. In 2019 he revisited Thelonious Monk’s catalog on Wareika Hill Rastamonk Vibrations, adding Caribbean touches and featuring saxophonists Wayne Escoffery, Ron Blake, and Joe Lovano. Trumpeters Roy Hargrove and Arturo Sandoval appeared on 2022’s Love Notes. For 2024’s D-Day, recorded in Paris with bassist Luke Sellick and drummer Jason Brown, Alexander honored both the 80th anniversary of the Normandy Landings and his own 80th birthday.