Biography
Native Vibe emerged as a smooth world jazz ensemble anchored by bassist Nee Sackey and guitarist Bill Macpherson, two musicians whose paths converged through an improbable chain of circumstances and a mutual passion for African music fused with jazz traditions.
Both men entered the world in the United States—Sackey in New York and Macpherson in Los Angeles—before relocating to Africa alongside their families during childhood. As the son of Ghana’s ambassador to the United States, Sackey displayed prodigious ability early, composing and performing pieces by age eleven. Macpherson reached Africa at eight; although he set music aside until adulthood, immersion in local rhythms and sounds nurtured the foundation for his eventual artistic direction.
Sackey entered Brigham Young University as an electrical engineering student yet switched to the Berklee College of Music during his junior year. Macpherson likewise explored other fields, among them English and anthropology, before committing to jazz studies; he gained admission to Berklee and completed his degree magna cum laude.
After performing with assorted jazz groups throughout Connecticut, Sackey relocated to San Diego. There, shared musical acquaintances introduced him to Macpherson, already recognized locally for his inventive guitar work that merged African and jazz elements. The pair began collaborating both within other ensembles and independently while maintaining separate projects; Macpherson issued Jungle Party in 1992, followed by Sackey’s My Father’s Son, My Brother’s Brother in 1994.
Recognizing the advantages of a formal partnership, they established Native Vibe in 1995 and delivered their first recording, Medicinal Purposes, the next year. That release showcased their signature integration of polished jazz lines with tribal rhythms and was helmed by the Yellowjackets’ Jimmy Haslip, who returned to produce the 1999 successor Spirits.
Both men entered the world in the United States—Sackey in New York and Macpherson in Los Angeles—before relocating to Africa alongside their families during childhood. As the son of Ghana’s ambassador to the United States, Sackey displayed prodigious ability early, composing and performing pieces by age eleven. Macpherson reached Africa at eight; although he set music aside until adulthood, immersion in local rhythms and sounds nurtured the foundation for his eventual artistic direction.
Sackey entered Brigham Young University as an electrical engineering student yet switched to the Berklee College of Music during his junior year. Macpherson likewise explored other fields, among them English and anthropology, before committing to jazz studies; he gained admission to Berklee and completed his degree magna cum laude.
After performing with assorted jazz groups throughout Connecticut, Sackey relocated to San Diego. There, shared musical acquaintances introduced him to Macpherson, already recognized locally for his inventive guitar work that merged African and jazz elements. The pair began collaborating both within other ensembles and independently while maintaining separate projects; Macpherson issued Jungle Party in 1992, followed by Sackey’s My Father’s Son, My Brother’s Brother in 1994.
Recognizing the advantages of a formal partnership, they established Native Vibe in 1995 and delivered their first recording, Medicinal Purposes, the next year. That release showcased their signature integration of polished jazz lines with tribal rhythms and was helmed by the Yellowjackets’ Jimmy Haslip, who returned to produce the 1999 successor Spirits.
Albums
