Artist

Oro Norteño

Genre: Latin ,Mexican Traditions
Origin: U.S.A
Listen on Coda
Norteño emerged in Texas when Mexican-Americans fused ranchera traditions with the polka rhythms introduced by German settlers who had carried the style across the Atlantic to the Lone Star State. Although the genre—also called Tex-Mex or conjunto—first took root around Austin, El Paso, and San Antonio, its reach extends across northern Mexico, the Pacific Northwest, and the broader Southwest. Within California, home to a substantial Mexican-American community, norteño has flourished for decades in the northern, southern, and central regions alike. One longstanding hub is Fresno, where the quintet Oro Norteño formed in 1996. The Spanish phrase “Northern Gold” supplies the group’s name. Rather than embracing the urbane, pop-oriented polish of strict grupero or tejano acts, Oro Norteño pursues a rawer, more uncompromising strain of regional Mexican music. Although the band has interpreted material originally associated with romantic Latin-pop figures such as Joan Sebastian and Marco Antonio Solís, its core identity remains that of a direct norteño ensemble. Consequently, Oro Norteño stands apart from the glossy grupero acts Ana Bárbara, Conjunto Primavera, and Los Temerarios; instead, its chief influences are the hard-edged norteño and Tex-Mex artists Los Rieleros del Norte, Los Tigres del Norte, Los Huracanes del Norte, Flaco Jiménez, and the late Tony de la Rosa. The musicians’ customary black cowboy hats and gleaming boots serve as a visual declaration of loyalty to the vaquero aesthetic long favored by norteño performers, a look that differentiates them from mariachi, banda, and ranchera outfits even while ranchera remains an essential component of their sound. Shortly after forming, Oro Norteño issued the album Polveadas on the Ego label in 1996. By 1998 the group had moved to Platino Records, a Los Angeles imprint distributed by Fonovisa and operating under the Univision umbrella; many Platino titles appear under the Fonovisa banner. The roster grew quickly, reaching at least fourteen albums by the summer of 2003. In 2004 the lineup comprised Ricardo Renteria on lead vocals, Rosalio “Chalio” Hidalgo on accordion, Jesus Rivera on electric bass, Miguel Angel Jiménez on guitar, and drummer Abel Orozco, who hails from Jalisco, Mexico. This Miguel Angel Jiménez is distinct from both producer Miguel Jiménez Flores and the late classical composer Miguel Bernal Jiménez.