Artist

Paal Nilssen-Love

Genre: Jazz ,Free Jazz ,Avant-Garde Jazz ,Modern Creative
Origin: U.S.A
Listen on Coda
Paal Nilssen-Love exploded onto Norway's jazz landscape in the opening years of the 1990s and has sustained an unyielding schedule across both mainstream and experimental jazz ever since. He quickly boarded the creative corridor Swedish saxophonist Mats Gustaffson had opened between Scandinavia and Chicago, appearing on Ken Vandermark's School Days and securing steadily wider American visibility from 2000 forward. Further commitments encompass trios alongside Frode Gjerstad, Sten Sandell, and Raoul Björkenheim, as well as membership in the group Atomic. The drummer issued his inaugural solo album, Sticks & Stones, in 2001.

Nilssen-Love was immersed in jazz from childhood. In 1979, when he turned five, his parents founded the Stavanger Jazzclub, which they continued to run until 1986. A professional path in music therefore seemed both logical and supported. Starting in 1990 he began performing with saxophonist Frode Gjerstad and trumpeter Didrik Ingvaldsen; three years later he entered formal jazz training at Sund College and the Trondheim Music Conservatory. His earliest documented appearance occurs on Enten Eller, a 1992 release by Gjerstad's Circulasione Totale Orchestra.

While based in Trondheim, Nilssen-Love met bassist Ingebrigt Håker Flaten and pianist Håvard Wiik and joined their ensemble Element in 1993. The free-jazz unit, shaped by John Coltrane's final period, drew strong local critical attention. Element delivered its debut album in 1996, by which point the drummer had already contributed to the first two recordings issued by Ingvaldsen's group Pocket Corner. Sten Sandell, Per "Texas" Johansson, and Mats Gustaffson soon enlisted him for their own projects.

Nilssen-Love forged a durable musical partnership with Håker Flaten, resulting in shared work across many settings. Gustaffson, who featured the pair on The Thing (2000, Crazy Wisdom), connected them with Ken Vandermark and the Chicago milieu. The two musicians constitute the rhythm section of Vandermark's School Days and Björkenheim's Scorch Trio. In 1999 they joined Wiik and musicians from Stockholm to launch the avant-garde jazz quintet Atomic.