Artist

Patrick Fitzsimmons

Genre: Folk ,Contemporary Folk
Origin: U.S.A
Listen on Coda
Patrick Fitzsimmons confronted major turning points in both his personal and professional spheres during 1999 after his tenure with the New Jersey grassroots band From Good Homes. His divorce led his former wife to relocate to Burlington, VT, with their child, prompting the lifelong New Jersey resident to move there as well. That year also brought the end of From Good Homes’ ten-year stretch of touring and songwriting when the group performed its farewell show before a capacity audience at Waterloo Village in Byram, NJ. Seeking greater family time without fully stepping away from music, Fitzsimmons launched a solo path that produced his debut full-length release, The Changing, in 2001.

Co-produced with former bandmate Dan Myers, the album was tracked in winter 2000 at Cool Springs Farm, a converted barn and studio in Stillwater, NJ. The sessions enlisted longtime musical associates including bassists Brady Rymer and Paul Kuzik, conga player Carey Harmon, electric guitarist Jamie Coan, Hammond organist Damien Calcagne, mandolinist John Shekan III, cellist Lori Bach, and violinist Tim Carbone. At age 39, Fitzsimmons examined the upheavals in his own life and broader existence, yet the songs reflected a gentle, poignant grasp of sustaining a positive, receptive stance toward life’s uncertainties.

His passion for music surfaced early in Sparta, NJ, through exposure to 1970s singer-songwriters and particularly Cat Stevens’ Matthew & Son, Tea for the Tillerman, and Buddha & the Chocolate Box. Drums served as his first instrument in youth and remained primary throughout his From Good Homes period. After the 1999 divorce he shifted focus to guitar, finding it an effective outlet for emotion, a vehicle for songwriting exploration, and ultimately a source of personal fulfillment. The 2001 solo debut drew guidance from core influences such as James Taylor, Cat Stevens, Carly Simon, Dan Fogelberg, Gordon Lightfoot, and Don McLean. Across its tracks Fitzsimmons voiced sensations of physical and emotional displacement while ultimately discovering a sense of arrival, both inwardly and musically, upon finishing The Changing.