Biography
Pavel Chesnokov stood out as the leading Russian creator of sacred choral music in his era. Roughly five hundred choral pieces flowed from his pen, with some four hundred devoted to sacred themes. A committed adherent of the Russian Orthodox Church, he drew primary inspiration for his output from the demands of liturgical worship. Among his compositions, Salvation Is Created remains the most familiar, a Communion hymn fashioned from a Ukrainian chant melody and one of the few works that still commands attention. In the Soviet period he earned greater recognition for his prowess on the podium than for his writing. Soviet authorities themselves lauded his conducting abilities, even while they maintained unrelenting opposition to his sacred output for the rest of his life. A handful of his scores appear on disc today, most often scattered through anthologies or recast in instrumental versions.
Born into a musically inclined household on October 12, 1877, Chesnokov pursued an unusually broad course of training. He completed his initial advanced work at the Moscow School of Church Music in 1895, then received private instruction from composer Sergey Taneyev before finishing studies at the Moscow Conservatory in 1917 under teachers that included Mikhail Ippolitov-Ivanov. The cumulative result was one of the most thoroughly prepared musicians in Russia, grounded in years of work in solfège, composition, piano, and violin.
Throughout those student years he also held active posts, instructing choral conducting in Moscow and serving as choirmaster or conductor for several leading institutions and ensembles, chief among them the Russian Choral Society Choir. During the same span he produced a substantial body of sacred choral music, among which Salvation Is Created (1912) achieved the widest popularity. Following the Bolshevik Revolution, state sanctions against religious expression compelled him to cease writing sacred music and to turn instead to secular choral composition.
Beginning in 1920 he directed the choral conducting curriculum at the Moscow Conservatory. He simultaneously maintained a full schedule leading the ensembles of the Bolshoi Theater and the Moscow Academy, and he assumed the post of choirmaster at Christ the Savior Cathedral. In 1933, however, Stalin ordered the cathedral razed to clear space for a skyscraper that was never erected. The loss left Chesnokov so shaken that he abandoned composition entirely. He persisted with teaching and with conducting various Moscow choirs until his death in that city on March 14, 1944.
Born into a musically inclined household on October 12, 1877, Chesnokov pursued an unusually broad course of training. He completed his initial advanced work at the Moscow School of Church Music in 1895, then received private instruction from composer Sergey Taneyev before finishing studies at the Moscow Conservatory in 1917 under teachers that included Mikhail Ippolitov-Ivanov. The cumulative result was one of the most thoroughly prepared musicians in Russia, grounded in years of work in solfège, composition, piano, and violin.
Throughout those student years he also held active posts, instructing choral conducting in Moscow and serving as choirmaster or conductor for several leading institutions and ensembles, chief among them the Russian Choral Society Choir. During the same span he produced a substantial body of sacred choral music, among which Salvation Is Created (1912) achieved the widest popularity. Following the Bolshevik Revolution, state sanctions against religious expression compelled him to cease writing sacred music and to turn instead to secular choral composition.
Beginning in 1920 he directed the choral conducting curriculum at the Moscow Conservatory. He simultaneously maintained a full schedule leading the ensembles of the Bolshoi Theater and the Moscow Academy, and he assumed the post of choirmaster at Christ the Savior Cathedral. In 1933, however, Stalin ordered the cathedral razed to clear space for a skyscraper that was never erected. The loss left Chesnokov so shaken that he abandoned composition entirely. He persisted with teaching and with conducting various Moscow choirs until his death in that city on March 14, 1944.
Albums