Biography
Public Domain formed in Ayr, Scotland, as a collective of seasoned DJs deeply rooted in the local electronic circuit. The lineup featured Mallorca Lee handling vocals alongside Alistair McIsaac, James Allen, and Mark Sherry, each contributing keyboards and programming. Lee’s prior experience included a stint in the fleeting Bikini State, which secured a brief contract with Deconstruction Records during 1996. After crossing paths through Scotland’s club circuit, the four began studio work together toward the end of 1998.
Their first release, “Operation Blade (Bass In The Place),” drew its central melody from a remix of New Order’s “Confusion” featured in the film Blade. Even before any official pressing, the track earned strong club support and airplay on Scottish radio. BBC Radio 1’s Judge Jules championed the record, prompting Alex Gold’s Xtravaganza Recordings to issue it commercially. The single debuted at number 5 on the UK chart in November 2000, held a Top 20 position for ten weeks, and ultimately moved a million copies worldwide.
The group positioned their style as the birth of “hard hop,” fusing hard house with hip-hop elements, though observers sometimes traced echoes of the Utah Saints’ mid-nineties rave approach. Public Enemy’s Chuck D. responded by laying fresh vocals over the original track; the resulting “Rock Da Funky Beats” appeared in mid-2001. Public Domain’s debut album, Hard Hop Superstars, drew broad acclaim from the UK music press, while their high-energy sets headlined major events including Homelands, Berlin’s Love Parade, and Privilege in Ibiza.
Their first release, “Operation Blade (Bass In The Place),” drew its central melody from a remix of New Order’s “Confusion” featured in the film Blade. Even before any official pressing, the track earned strong club support and airplay on Scottish radio. BBC Radio 1’s Judge Jules championed the record, prompting Alex Gold’s Xtravaganza Recordings to issue it commercially. The single debuted at number 5 on the UK chart in November 2000, held a Top 20 position for ten weeks, and ultimately moved a million copies worldwide.
The group positioned their style as the birth of “hard hop,” fusing hard house with hip-hop elements, though observers sometimes traced echoes of the Utah Saints’ mid-nineties rave approach. Public Enemy’s Chuck D. responded by laying fresh vocals over the original track; the resulting “Rock Da Funky Beats” appeared in mid-2001. Public Domain’s debut album, Hard Hop Superstars, drew broad acclaim from the UK music press, while their high-energy sets headlined major events including Homelands, Berlin’s Love Parade, and Privilege in Ibiza.
Albums

1920's Music Hits, Vol.48
2025

1920's Music Hits, Vol.46
2025

1920's Music Hits, Vol.47
2025

1920's Music Hits, Vol.44
2025

1920's Music Hits, Vol.28
2025

1920's Music Hits, Vol.43
2025

1920's Music Hits, Vol.19
2025

1920's Music Hits, Vol.16
2025

1920's Music Hits, Vol.27
2025

1920's Music Hits, Vol.22
2025

1920's Music Hits, Vol.40
2025

1920's Music Hits, Vol.37
2025

1920's Music Hits, Vol.42
2025

1920's Music Hits, Vol.20
2025

1920's Music Hits, Vol.15
2025

1920's Music Hits, Vol.9
2025

1920's Music Hits, Vol.21
2025

1920's Music Hits, Vol.6
2025

1920's Music Hits, Vol.49
2025

We Got The Power
2023

I Am Here
2023

China Traditionelle Musik
2021

La bella campagnola - Canti popolari italiani
2020

Hit The Reset / Lethality In Progress
2018

Amsterdam
2017

Four Most Cuts Presents - Public Domain
2013

Public Domain - The Very Best Of
2013

Speciality 11 Programable Organ Pd Songbook
2012

Rock Da Funky Beats
2011

Aquellos Tiempos del Cuple
2011

Operation Blade 2009 (Bass in the Place)
2009

Operation Blade (Bass In The Place)
2001

Hard Hop Superstars
2001
Singles











