Artist

Sam Coffey & The Iron Lungs

Genre: Alt / Indie ,Indie Rock
Origin: U.S.A
Listen on Coda
Hailing from Toronto's punk underground, the six-piece Sam Coffey and the Iron Lungs draws its members entirely from Ontario. Their output delivers an unrestrained power pop style rooted in 1970s conventions. The group's muscular, densely layered attack, paired with a signature affection for denim vests, betrays a deeper hard-rock orientation than most contemporaries, with Thin Lizzy and Kiss named as primary touchstones, while still delivering abundant melodic hooks and communal choruses. After several early low-fidelity releases, they crystallized their approach on 2014's Gates of Hell; the self-titled 2017 album demonstrated improved command of studio resources, and Real One in 2021 marked a deliberate push to widen their stylistic reach.

Sam Coffey, who fronts the band on vocals and guitar, formed the lineup in Kitchener, Ontario, drawing the remaining players from smaller provincial towns: Liam Doyle on lead guitar, Joel "French" Desbois on rhythm guitar, Dave Tyson on keyboards, Richard Stanley on bass, and Connor Glen on drums. The project surfaced in 2011 with the self-released Bedroom Rock EP, followed later that year by the band's first album under its own name. After issuing a series of D.I.Y. singles, the group signed with Southpaw Records, the California independent devoted to punk and garage sounds, for the 2014 Gates of Hell LP. Live dates alongside Redd Kross, Flamin Groovies, and the Black Lips helped build their following across North America.

Abandoning some of their prior raw methods, the musicians enlisted producer Alex Bonenfant, whose credits include METZ and Crystal Castles, to record their third album for the Canadian punk mainstay Dine Alone Records in 2017, again using the self-titled format. Further touring brought shared bills with the Dirty Nil, FIDLAR, and Billie Joe Armstrong's side project the Longshot. Real One surfaced in 2021, giving the group room to explore additional influences such as country and '60s pop while continuing to favor power pop, hard rock, and junkshop glam.