Biography
The Deep River Boys established an impressive record of high-quality releases across five decades of activity, achieving a benchmark in dedication and endurance that others aspire to match. They initiated their discography as a gospel ensemble toward the end of the 1940s before transitioning into R&B, experiencing greater acclaim in Europe at times prior to successful homecomings in the United States.
Their origins trace to 1936, when the lineup of Harry Douglas (baritone), Vernon Gardner (first tenor), George Lawson (second tenor), Jimmy Lundy, and Edward Ware (bass) were all still enrolled at Hampton Institute in Virginia and performing in the school choir during the mid-'30s. Appearances on radio followed, and in 1937 they secured a CBS network slot by stepping in for the Oleanders after lead singer Billy Williams departed to establish the Charioteers. The group signed with Bluebird Records in 1940 and cut sides such as “By the Light of the Silvery Moon,” which included Fats Waller on piano. When Harry Douglas entered the Army, Leroy Wayman took his place and was later succeeded by Rhett Butler; Douglas rejoined in 1946, after which the Deep River Boys reached their peak visibility through spots on Milton Berle’s and Kate Smith’s programs plus tours alongside Bill “Bojangles” Robinson.
Although live work proved more lucrative than record sales for most vocal groups of the era, the Deep River Boys finally scored their first hit with 1948’s “Recess in Heaven.” By then the emerging R&B style was eclipsing their gospel approach, as acts including the Dominoes, the Orioles, and the Ravens gained favor. Unlike the 5 Royales, who began cutting R&B material for Apollo, the Deep River Boys hesitated to adapt and instead emulated the Delta Rhythm Boys by concentrating on European engagements.
Throughout the early ’50s they alternated between continents, joining the Count Basie Band in 1951 and working with Erskine Hawkins stateside while also completing a record-breaking ten-week run at the London Palladium. After leaving RCA for the reactivated independent Beacon Records owned by Joe Davis, several singles failed to generate fresh momentum, prompting a return to RCA. In September 1953 Cam Williams replaced Jim Lundy, and the revised lineup undertook another nine-week London Palladium residency. By spring 1954 they were again recording for Beacon; subsequent sporadic releases appeared on the RCA subsidiary Vik Records as well as Gallant and Wand.
George Lawson retired in 1950, followed by Ed Ware in 1956, who passed away shortly afterward; Vernon Gardner also exited that same year. Bass singer Ronnie Bright, formerly of the Cadillacs, filled Ware’s role. In 1963 Bright scored his own hit, “Mr. Bass Man,” which reached number 16 on the charts alongside Johnny Cymbal, and later joined Carl Gardner’s configuration of the Coasters. Remarkably, a version of the Deep River Boys fronted by Harry Douglas and featuring a rotating roster of newer members continued performing into the 1980s, fully fifty years after the group’s formation. Douglas himself has occasionally taken the stage well into his eighties.
Their origins trace to 1936, when the lineup of Harry Douglas (baritone), Vernon Gardner (first tenor), George Lawson (second tenor), Jimmy Lundy, and Edward Ware (bass) were all still enrolled at Hampton Institute in Virginia and performing in the school choir during the mid-'30s. Appearances on radio followed, and in 1937 they secured a CBS network slot by stepping in for the Oleanders after lead singer Billy Williams departed to establish the Charioteers. The group signed with Bluebird Records in 1940 and cut sides such as “By the Light of the Silvery Moon,” which included Fats Waller on piano. When Harry Douglas entered the Army, Leroy Wayman took his place and was later succeeded by Rhett Butler; Douglas rejoined in 1946, after which the Deep River Boys reached their peak visibility through spots on Milton Berle’s and Kate Smith’s programs plus tours alongside Bill “Bojangles” Robinson.
Although live work proved more lucrative than record sales for most vocal groups of the era, the Deep River Boys finally scored their first hit with 1948’s “Recess in Heaven.” By then the emerging R&B style was eclipsing their gospel approach, as acts including the Dominoes, the Orioles, and the Ravens gained favor. Unlike the 5 Royales, who began cutting R&B material for Apollo, the Deep River Boys hesitated to adapt and instead emulated the Delta Rhythm Boys by concentrating on European engagements.
Throughout the early ’50s they alternated between continents, joining the Count Basie Band in 1951 and working with Erskine Hawkins stateside while also completing a record-breaking ten-week run at the London Palladium. After leaving RCA for the reactivated independent Beacon Records owned by Joe Davis, several singles failed to generate fresh momentum, prompting a return to RCA. In September 1953 Cam Williams replaced Jim Lundy, and the revised lineup undertook another nine-week London Palladium residency. By spring 1954 they were again recording for Beacon; subsequent sporadic releases appeared on the RCA subsidiary Vik Records as well as Gallant and Wand.
George Lawson retired in 1950, followed by Ed Ware in 1956, who passed away shortly afterward; Vernon Gardner also exited that same year. Bass singer Ronnie Bright, formerly of the Cadillacs, filled Ware’s role. In 1963 Bright scored his own hit, “Mr. Bass Man,” which reached number 16 on the charts alongside Johnny Cymbal, and later joined Carl Gardner’s configuration of the Coasters. Remarkably, a version of the Deep River Boys fronted by Harry Douglas and featuring a rotating roster of newer members continued performing into the 1980s, fully fifty years after the group’s formation. Douglas himself has occasionally taken the stage well into his eighties.
Albums
