Biography
Hank Jones established himself over a long span as a leading jazz pianist who most often worked as an accompanist yet periodically guided sessions of his own. His signature endeavor placed him at the helm of the cooperative Great Jazz Trio, whose piano-bass-drums lineup demonstrated how durable and continually demanding that classic format remains. The ensemble first assembled in spring 1975, making its debut with a one-week run at New York City’s Village Vanguard; club owner Max Gordon supplied the group’s name, and the original members were Jones, drummer Tony Williams, and bassist Ron Carter. Drawn from three generations yet all linked to Miles Davis, the musicians forged a distinctive rapport while interpreting standards alongside originals contributed by each participant.
The same three reunited in May 1976 and entered a studio with Japanese alto saxophonist Sadao Watanabe, producing the album I’m Old Fashioned. In February 1977 they returned to the Village Vanguard for another week-long engagement, capturing three days of performances that yielded multiple live volumes issued on vinyl by the Japanese East Wind label and later distributed in the United States on Inner City. Parallel studio dates—Love for Sale (1976), Kindness, Joy, Love & Happiness, Direct from LA (1977), and Milestones (1978)—solidified the standing of the first lineup. Japanese promoters continued to schedule concert tours and to document the trio’s work, generating further East Wind and Denon releases that circulated mainly as imports during the early CD period and extending through 2008 with the Great Standards, Vol. I-V series on Alfa Jazz.
Numerous covers featured Major League Baseball imagery, frequently highlighting the Boston Red Sox; the connection reflected Williams’s Boston origins in contrast to the Metro-Detroit backgrounds of Jones and Carter, the best-known example being pitcher Roger Moret on the 1978 LP At the Village Vanguard. Following Williams’s death and Carter’s growing focus on solo projects, the roster shifted while Jones remained the constant guiding force. Subsequent collaborators included bassists Buster Williams, Eddie Gomez, John Patitucci, and Richard Davis, together with drummers Al Foster, Elvin Jones, and Jack DeJohnette. Across its various lineups the Great Jazz Trio has now endured more than four decades, averaging roughly one album each year.
The same three reunited in May 1976 and entered a studio with Japanese alto saxophonist Sadao Watanabe, producing the album I’m Old Fashioned. In February 1977 they returned to the Village Vanguard for another week-long engagement, capturing three days of performances that yielded multiple live volumes issued on vinyl by the Japanese East Wind label and later distributed in the United States on Inner City. Parallel studio dates—Love for Sale (1976), Kindness, Joy, Love & Happiness, Direct from LA (1977), and Milestones (1978)—solidified the standing of the first lineup. Japanese promoters continued to schedule concert tours and to document the trio’s work, generating further East Wind and Denon releases that circulated mainly as imports during the early CD period and extending through 2008 with the Great Standards, Vol. I-V series on Alfa Jazz.
Numerous covers featured Major League Baseball imagery, frequently highlighting the Boston Red Sox; the connection reflected Williams’s Boston origins in contrast to the Metro-Detroit backgrounds of Jones and Carter, the best-known example being pitcher Roger Moret on the 1978 LP At the Village Vanguard. Following Williams’s death and Carter’s growing focus on solo projects, the roster shifted while Jones remained the constant guiding force. Subsequent collaborators included bassists Buster Williams, Eddie Gomez, John Patitucci, and Richard Davis, together with drummers Al Foster, Elvin Jones, and Jack DeJohnette. Across its various lineups the Great Jazz Trio has now endured more than four decades, averaging roughly one album each year.
Albums
