Artist

The O'Jays

Genre: R&B ,Smooth Soul ,Philly Soul ,Soul ,Pop-Soul ,Quiet Storm ,Contemporary R&B
Origin: U.S.A
Active: 1958 - Present
Listen on Coda
Rivaling only the Spinners among the premier soul vocal ensembles of the 1970s, the O'Jays ranked among the most enduring and commercially successful R&B acts. Their signature recordings captured the essence of Philly soul through opulent vocal blends supported by intricate production, sweeping orchestral elements, and subtle funk grooves. Longtime collaborators with the renowned Kenny Gamble and Leon Huff writing and production partnership, the group served as the flagship act on the duo's Philadelphia International imprint, scoring pop Top Ten successes including "Love Train," "For the Love of Money," and "I Love Music," each of which earned Grammy nominations in the R&B group vocal category. Equally adept at tender romantic ballads and upbeat dance numbers, the latter often conveyed Gamble & Huff's messages on social issues. Following a streak of nine consecutive gold or platinum PIR albums stretching from Back Stabbers (1972) to Identify Yourself (1979), the O'Jays sustained live performances while sporadically expanding their catalog with further Top Ten R&B entries such as Let Me Touch You (1987) and Emotionally Yours (1991), plus the 2001 release For the Love..., which received a Grammy nomination for Best Traditional R&B Vocal Album, and their concluding studio effort The Last Word (2019). Inductions into both the Rock & Roll Hall of Fame and the Rhythm & Blues Music Hall of Fame followed.

Formed in 1958 in Canton, Ohio, by five McKinley High School classmates—Eddie LeVert, Walter Williams, William Powell, Bill Isles, and Bobby Massey—the lineup drew inspiration from a Frankie Lymon & the Teenagers concert and initially performed as the Triumphs before adopting the Mascots name in 1960. Their recording bow arrived in 1961 via the single "Miracles" on Cincinnati's King label. Cleveland disc jockey Eddie O'Jay became an early supporter, securing airplay and guidance that prompted the 1963 name change to the O'Jays after earlier Apollo sessions produced by Don Davis. Imperial then signed the group, pairing them with H.B. Barnum for the first charting single, 1963's "Lonely Drifter," along with subsequent releases. Isles departed in 1965 without a replacement, reducing the act to a quartet; later that year they issued their debut album, Comin' Through. A 1967 move to Bell yielded their initial R&B Top Ten single, "I'll Be Sweeter Tomorrow (Than I Was Today)." Frustrated by limited follow-up momentum, the members contemplated disbanding until connecting with Gamble & Huff, then producing for Neptune, in 1968. Several successful R&B singles resulted before Neptune's 1971 closure left the group adrift and prompted Massey's exit.

Gamble & Huff promptly launched Philadelphia International and signed the O'Jays—now a trio—as early roster members. Their PIR debut, Back Stabbers (1972), emerged as a Philly soul landmark that elevated them to stardom; the uneasy title track reached the pop Top Five while the optimistic "Love Train" climbed to number one, both also topping the R&B chart. This launched an extraordinary decade that delivered nearly 30 charting singles, three Grammy nominations, multiple best-selling albums, and repeated R&B chart-toppers. Ship Ahoy (1973) followed with the number-one R&B hit "For the Love of Money," a funk-driven protest track that became a signature piece, alongside the expansive ten-minute title suite evoking the transatlantic slave trade. Survival (1975) added further hits such as "Let Me Make Love to You" and the R&B chart-topper "Give the People What They Want." Family Reunion incorporated disco elements and produced their third pop Top Five entry, "I Love Music, Pt. 1." That same year William Powell received a cancer diagnosis; he continued recording temporarily, appearing on 1976's Message in Our Music, yet withdrew from live work and died on May 26, 1977.

Sammy Strain, a twelve-year veteran of Little Anthony & the Imperials, stepped in as replacement. The O'Jays regrouped for Travelin' at the Speed of Thought (1977) and So Full of Love (1978), the latter yielding their last pop Top Five single, "Use ta Be My Girl." They maintained chart presence throughout the PIR years, concluding that association with the 1987 album Let Me Touch You, which blended their classic approach with contemporary production values. The Gamble & Huff composition "Lovin' You" topped the R&B chart, while heightened exposure from Eddie LeVert's sons Gerald and Sean in LeVert helped revitalize their profile. Serious (1989) generated another major R&B hit in "Have You Had Your Love Today?"; with Nathaniel Best succeeding Sammy Strain, both Emotionally Yours (1991) and Heartbreaker (1993) performed strongly on the R&B albums chart. Though pop crossover remained limited and critical acclaim fell short of their 1970s peaks, the group stayed active on tour even as new jack swing faded. Eric Grant joined LeVert and Williams for 1997's Love You to Tears. A recording hiatus ended with a one-album MCA deal for For the Love... (2001), again Grammy-nominated for Best Traditional R&B Vocal Album. Imagination appeared on Sanctuary in 2004, the year preceding their Rock and Roll Hall of Fame induction. Christmas with the O'Jays surfaced on Saguaro Road in 2010. They resurfaced in 2018 with the protest-oriented "Above the Law," a nostalgic yet timely track co-written by soul veteran Betty Wright, previewing their self-described final studio album, The Last Word, issued the following year; the politically inflected yet celebratory set peaked at number 26 on the R&B chart. Farewell-tour dates filled 2022 and 2023.