Biography
Wolfgang Katschner first attracted notice through his lute playing and later expanded his profile as a conductor and leader of ensembles. His expertise centers on Baroque performance conventions and operatic repertoire, particularly the works of Handel.
Born in 1961 in Kyritz within Brandenburg, then part of East Germany, Katschner trained at the Academy of Music Hanns Eisler Berlin, where he concentrated initially on guitar. He later became one of the few musicians from the East permitted to continue studies in the West, enrolling as a lutenist at the University of Music and Performing Arts in Frankfurt. In 1984 he and fellow lutenist and guitarist Hans-Werner Apel established Die Lautten Compagney. The ensemble focused early on Baroque opera, an area in which Katschner carried out substantial research. Growing interest in the genre, together with a deeper appreciation of plucked-string ensembles, helped the group flourish under his direction. He simultaneously led the vocal ensemble Capella Angelica.
The company’s 1995 recording Lieben und geliebet werden presented selections from operas by Johann Philipp Krieger. Appearances at major German festivals such as the Rheingau Music Festival, Ludwigsburger Schlossfestspiele, and Kissinger Winterzauber increased its visibility. Alongside its concert work, Katschner began directing complete operas, often reviving seldom-heard scores; one example was Baldassare Galuppi’s La diavolessa, staged at the Hans Otto Theatre in Potsdam in 2002. In 2004 he led Cape Town Opera in Handel’s Alcina and subsequently conducted several Handel productions at the Handel Festival in Halle. Although widely acknowledged as a Handel specialist, he has also directed other Baroque pieces and collaborated with the Philip Glass Ensemble on works by Philip Glass. His 2010 release Timeless juxtaposed Glass’s music with compositions by Renaissance composer Tarquinio Merula. For Theater und Orchester Heidelberg he has led operas by Nicola Porpora, Tommaso Traetta, and Leonardo Vinci.
Katschner has taught masterclasses at the University of Music in Mainz and the Academy of Music Franz Liszt in Weimar. His recordings appear on Carus, Berlin Classics, and Deutsche Harmonia Mundi, among other labels; the last of these issued War & Peace - 1618:1918, featuring Die Lautten Compagney and soprano Dorothee Mields, in 2018.
Born in 1961 in Kyritz within Brandenburg, then part of East Germany, Katschner trained at the Academy of Music Hanns Eisler Berlin, where he concentrated initially on guitar. He later became one of the few musicians from the East permitted to continue studies in the West, enrolling as a lutenist at the University of Music and Performing Arts in Frankfurt. In 1984 he and fellow lutenist and guitarist Hans-Werner Apel established Die Lautten Compagney. The ensemble focused early on Baroque opera, an area in which Katschner carried out substantial research. Growing interest in the genre, together with a deeper appreciation of plucked-string ensembles, helped the group flourish under his direction. He simultaneously led the vocal ensemble Capella Angelica.
The company’s 1995 recording Lieben und geliebet werden presented selections from operas by Johann Philipp Krieger. Appearances at major German festivals such as the Rheingau Music Festival, Ludwigsburger Schlossfestspiele, and Kissinger Winterzauber increased its visibility. Alongside its concert work, Katschner began directing complete operas, often reviving seldom-heard scores; one example was Baldassare Galuppi’s La diavolessa, staged at the Hans Otto Theatre in Potsdam in 2002. In 2004 he led Cape Town Opera in Handel’s Alcina and subsequently conducted several Handel productions at the Handel Festival in Halle. Although widely acknowledged as a Handel specialist, he has also directed other Baroque pieces and collaborated with the Philip Glass Ensemble on works by Philip Glass. His 2010 release Timeless juxtaposed Glass’s music with compositions by Renaissance composer Tarquinio Merula. For Theater und Orchester Heidelberg he has led operas by Nicola Porpora, Tommaso Traetta, and Leonardo Vinci.
Katschner has taught masterclasses at the University of Music in Mainz and the Academy of Music Franz Liszt in Weimar. His recordings appear on Carus, Berlin Classics, and Deutsche Harmonia Mundi, among other labels; the last of these issued War & Peace - 1618:1918, featuring Die Lautten Compagney and soprano Dorothee Mields, in 2018.
Albums

Dancing Queen - Rameau meets ABBA
2024

Winter Journeys
2023

New Vivaldi
2022

Time Travel
2021

Bach: Redemption
2020

Händel, Vinci: Didone abbandonata
2018

Mitten im Leben 1517
2016

Claudio Monteverdi: Vespro della Beata Vergine
2014

Praise the Lord. Luthers Lieder auf dem Weg in die Welt
2013

BACHArkaden
2013

Henry Purcell: Love's Madness
2012

Henry Purcell: Love Songs
2010

Chamber Music (English Baroque) - Playford / Ravenscroft / Matteis / Purcell/ [Lautten Compagney, Katschner]
2009

Baroque Trumpet Concertos - Fasch / Zelenka. / Graun/ Telemann / Vivaldi / Pisendel / Quantz
2009

Johann Sebastian Bach: Brandenburg Concerto No. 4 / Georg Philipp Telemann: Concerto for 3 Violins in F Major / Johann Wilhelm Hertel: Trumpet Concerto in D Major
2009

Buxtehude: Dein edles Herz, der Liebe Thron
2007

Dieterich Buxtehude: Solokantaten
2007

Galuppi: La diavolessa
2004

My Personal Handel Collection
2003
Singles

Dancing Queen (Arr. for Baroque Ensemble & Saxophone by Bo Wiget)
2024

Mamma Mia (Arr. for Baroque Ensemble & Saxophone by Bo Wiget)
2024

Gimme! Gimme! Gimme! (Arr. for Baroque Ensemble & Saxophone by Bo Wiget)
2024

Instrucción de música sobre la guitarra española, Libro II, f.44: Pavanas
2024

I Will Give my Love an Apple
2024

Norwegian Wood / Greensleeves
2024

Dido and Aeneas, Z. 626, Act II, No. 23: Thanks to these Lonesome Vales (Arr. for Baroque Ensemble by Wolfgang Katschner)
2024

Es saß ein klein wild Vögelein
2023

Suite No. 2 in D Minor: II. Gagliarda à 5
2023

Suite No. 2 in D Minor: I. Padouana à 5
2023

L'Inverno focoso (after Concerto in F Minor, Op. 8, No. 4 / RV 297 "The Four Seasons: Winter", arr. for Baroque Ensemble by Bo Wiget)
2022

Larghetto (after Concerto for 4 Violins and Cello in B Minor, Op. 3, No. 10 / RV 580, arr. for Baroque Ensemble by Wolfgang Katschner)
2022

Weary Summer Heat (after Violin Concerto in G Minor, Op. 8, No. 2 / RV 315 "The Four Seasons: Summer", arr. for Baroque Ensemble by Bo Wiget)
2022

Gaude virgo, mater Christi
2019

Es geht ein dunkle Wolk herein
2018