Artist

Wren Hinds

Genre: Alt / Indie ,Alternative Singer/Songwriter ,Indie Folk
Origin: U.S.A
Listen on Coda
Wren Hinds, an indie singer and songwriter whose reflective style draws upon classic folk-rock foundations and introspective reveries, forms the more animated member of the earthier Hinds Brothers duo. Hailing from South Africa, he initiated his solo path in 2018 through Tragedy Hill, a set that assembled material captured during the decade’s first half and introduced an acoustic foundation tinted with electronic textures.

Two introspective 2020 projects, the subdued A Thousand Hearts and the restless A Child's Chant for the New Millennium, secured a Bella Union contract that yielded his fourth solo album, Don’t Die in the Bundu, in July 2023. Both affirming and difficult personal episodes informed the record, underscoring his deliberate and emblematic deployment of light, darkness, and spatial depth.

Raised on KwaZulu-Natal’s southeastern coast by a musician father and a painter mother, Hinds observed recording sessions and overdubs from childhood and habitually carried a tape recorder for his own captures. Drawing further from his mother, he later characterized his layering approach as painting with sound. Distinct from the work of John and Peter Hinds, he joined his brother Aden to form Hinds Brothers, releasing the self-produced Ocean of Milk in mid-2013. The collaborative effort enlisted nearly twenty guests and was tracked across seven studios in Durban, Cape Town, Johannesburg, and Pretoria. Its rustic character, reminiscent of the Avett Brothers and Old Crow Medicine Show, contrasted with Hinds’ debut solo outing, late-2018’s Tragedy Hill.

Titled after a Ramsgate landmark, that album gathered 2012–2015 songs of a more private and measured character, featuring pedal steel, acoustic guitar, and atmospheric electronics. After settling in Cape Town, he delivered two further sets in quick succession: the plaintive A Thousand Hearts in March 2020 and the pandemic-era A Child's Chant for the New Millennium that September, both maintaining a restrained acoustic-electric balance. Performed almost entirely by Hinds save one rhythm-section track, the latter incorporated three songs drawn from Keith Erasmus poems, including the title piece.

Bella Union approached him in 2022, reissuing his prior catalog on vinyl before issuing the fourth studio album, Don’t Die in the Bundu, in July 2023. Recorded inside a mountainside cabin on the Cape Peninsula, its survival themes arose from experiences that included first-time fatherhood, an armed hold-up, and the wider socio-political pressures of the period.