Biography
James "Yank" Rachell stood out as the foremost practitioner of blues mandolin while also handling guitar, violin, and harp with equal skill and delivering strong vocals. Born on a farm outside Brownsville, Tennessee, he took up the mandolin at age eight and developed most of his technique through self-instruction, though an early meeting with "Hambone" Willie Newbern provided additional guidance. In the early 1920s he started performing at dances alongside singer and guitarist Sleepy John Estes.
Early in 1929 Rachell joined Estes and pianist Jab Jones to establish the Three J's Jug Band. The ensemble quickly gained popularity and secured steady work amid the Memphis jug-band boom while making regular trips to Paducah, Kentucky. Between 1929 and 1930 the group cut fourteen sides for Victor that appeared under the joint names of Estes and Rachell.
When the Depression halted record sales, the Three J's Jug Band disbanded. Estes and harmonica player Hammie Nixon headed to Chicago in search of nightclub work, whereas Rachell turned to farming and employment with the L&N Railroad. Rachell himself next entered the studio, teaming with guitarist Dan Smith during a New York layover to record twenty-five titles for ARC in three days, although only six saw release.
Just before those ARC sessions, Rachell had spotted a young harmonica player, John Lee "Sonny Boy" Williamson, whose ability impressed him. Beginning in 1933 the pair performed together at the Blue Flame Club in Jackson, Tennessee. Williamson moved north to Chicago in 1934. After Williamson's initial Bluebird recordings succeeded in 1937, Rachell traveled to Chicago for joint sessions in March and June 1938, contributing four of his own sides at each date. He added sixteen further titles in 1941 with Williamson providing support; among the 1941 numbers, "It Seem Like a Dream," "Biscuit Baking Woman," and "Peach Tree Blues" proved especially successful for both artist and label.
In 1938, while working in St. Louis with Peetie Wheatstraw, Rachell married and began raising a family. Even at the height of his recording activity he maintained steady employment and avoided the lifestyle that ultimately led to Sonny Boy Williamson's murder on June 1, 1948. Following Williamson's death, Rachell stepped away from music entirely and supported himself through regular jobs, establishing permanent residence in Indianapolis in 1958. After his wife died in 1961 he returned to performing. In 1962 he rejoined Nixon and Estes, and the trio played the college and coffeehouse circuit while cutting sides for Delmark under the name Yank Rachell's Tennessee Jug Busters.
Estes passed away in 1977, after which Rachell performed mainly alone. He became a longtime fixture at Indianapolis's Slippery Noodle and made only occasional recordings in later years, yet he was still preparing a new album at the time of his death at age 87.
Early in 1929 Rachell joined Estes and pianist Jab Jones to establish the Three J's Jug Band. The ensemble quickly gained popularity and secured steady work amid the Memphis jug-band boom while making regular trips to Paducah, Kentucky. Between 1929 and 1930 the group cut fourteen sides for Victor that appeared under the joint names of Estes and Rachell.
When the Depression halted record sales, the Three J's Jug Band disbanded. Estes and harmonica player Hammie Nixon headed to Chicago in search of nightclub work, whereas Rachell turned to farming and employment with the L&N Railroad. Rachell himself next entered the studio, teaming with guitarist Dan Smith during a New York layover to record twenty-five titles for ARC in three days, although only six saw release.
Just before those ARC sessions, Rachell had spotted a young harmonica player, John Lee "Sonny Boy" Williamson, whose ability impressed him. Beginning in 1933 the pair performed together at the Blue Flame Club in Jackson, Tennessee. Williamson moved north to Chicago in 1934. After Williamson's initial Bluebird recordings succeeded in 1937, Rachell traveled to Chicago for joint sessions in March and June 1938, contributing four of his own sides at each date. He added sixteen further titles in 1941 with Williamson providing support; among the 1941 numbers, "It Seem Like a Dream," "Biscuit Baking Woman," and "Peach Tree Blues" proved especially successful for both artist and label.
In 1938, while working in St. Louis with Peetie Wheatstraw, Rachell married and began raising a family. Even at the height of his recording activity he maintained steady employment and avoided the lifestyle that ultimately led to Sonny Boy Williamson's murder on June 1, 1948. Following Williamson's death, Rachell stepped away from music entirely and supported himself through regular jobs, establishing permanent residence in Indianapolis in 1958. After his wife died in 1961 he returned to performing. In 1962 he rejoined Nixon and Estes, and the trio played the college and coffeehouse circuit while cutting sides for Delmark under the name Yank Rachell's Tennessee Jug Busters.
Estes passed away in 1977, after which Rachell performed mainly alone. He became a longtime fixture at Indianapolis's Slippery Noodle and made only occasional recordings in later years, yet he was still preparing a new album at the time of his death at age 87.
Albums
