Alison Krauss

Alison Krauss’s smooth singing voice, engaging demeanor, and accomplished fiddle playing have expanded bluegrass music’s reach to listeners outside its traditional circles. Her approach, which fuses core bluegrass elements with folk and country touches, drew swift praise at the outset of her professional path, yet broad mainstream attention arrived only with the platinum-certified 1995 compilation Now That I've Found You. Spanning the period from her 1987 debut Too Late to Cry to that collection, she developed from an early prodigy into a flexible, forward-looking artist and produced some of the most distinctive bluegrass recordings of the late eighties and early nineties. Appearances on the O Brother, Where Art Thou? soundtrack and the partnership Raising Sand with Robert Plant—followed by their 2021 reunion album Raise the Roof—later secured pop-audience acclaim while leaving her artistic standards intact.

Krauss began classical violin instruction at age five. Growing impatient with formal technique, she soon shifted to country and bluegrass phrasing. By eight she was competing in local talent events near her hometown of Champaign, IL; two years afterward she fronted her own ensemble. At twelve she captured the Illinois State Fiddle Championship and earned the Society for the Preservation of Bluegrass in America’s designation as Most Promising Fiddler in the Midwest. Her first recorded appearance came in 1985 on the independent Fiddle Tunes release Different Strokes, a project shared with her brother Viktor, Jim Hoiles, and Bruce Weiss. Later that same year, still fourteen, she signed with Rounder Records.

Her Rounder debut Too Late to Cry surfaced in 1987 to strong notices. The sessions featured her then-backing group Union Station, whose members included guitarist Jeff White, banjoist Alison Brown, and bassist Viktor Krauss; the following year that lineup secured the Society for the Preservation of Bluegrass in America’s National Band Championship. Two Highways, issued in 1989 with Union Station, received a Grammy nomination for Best Bluegrass Recording. Although it did not win, the subsequent 1990 album I've Got That Old Feeling took the award. The commercial performance of I've Got That Old Feeling exceeded typical bluegrass results of the era and prepared the ground for greater visibility in the nineties. By then Union Station’s personnel had stabilized around mandolinist Adam Steffey, banjoist and guitarist Ron Block, bassist Barry Bales, and guitarist Tim Stafford, who was later succeeded by Dan Tyminski.

Every Time You Say Goodbye, credited to Alison Krauss & Union Station and released in 1992, presented another wide-ranging selection of material. The record entered the country charts and videos from it aired on Country Music Television. The 1994 follow-up I Know Who Holds Tomorrow achieved still stronger sales. Yet the 1995 anthology Now That I've Found You: A Collection propelled Krauss to stardom, climbing to number two on the country chart, reaching the pop Top Ten, and surpassing one million copies sold. Its reception affirmed her position as bluegrass’s foremost figure of the decade.

After the surprise impact of that compilation, Krauss & Union Station delivered So Long, So Wrong in spring 1997 and Forget About It in mid-1999. One year later the band joined John Hartford, Ralph Stanley, and others on the multi-platinum soundtrack for O Brother, Where Art Thou? A North American tour highlighting participants from the album took place in summer 2002 and lifted Krauss’s profile further. New Favorite arrived in November and attained gold status within four months. A live recording followed, succeeded in 2004 by Lonely Runs Both Ways. In 2007 she issued A Hundred Miles or More, a retrospective drawn from her Rounder catalog together with soundtrack contributions and five new tracks. That same year also brought Raising Sand, the widely praised multi-platinum collaboration with Robert Plant. Paper Airplane, self-produced by the band and engineered by Mike Shipley, appeared in 2011.

Krauss began recording a solo project with producer Buddy Cannon in 2013, yet vocal difficulties and touring commitments with Union Station delayed its completion until 2017. Windy City, her first Capitol album after many years with Rounder, presented classic material in a countrypolitan style and earned two Grammy nominations—one for Best Country Solo Performance and another for Best American Roots Performance.

She next rejoined Robert Plant for Raise the Roof, the 2021 successor to Raising Sand, and the duo toured in support during 2022.