Artist

Vince Gill

Genre: Country ,New Traditionalist ,Bluegrass
Origin: U.S.A
Active: 1975 - Present
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Known as a guitarist, singer, and composer, Vince Gill ranks among country music’s most admired artists. Having collected more than twenty Grammy Awards, he spent close to fifteen years honing his craft before emerging in the 1990s as one of that decade’s leading country figures. He maintained that stature well into the new century, remaining one of its busiest, most esteemed, and stylistically versatile performers. More than ten of his albums reached the Billboard 200, a dozen singles entered the Hot 100, and several topped the country chart, resulting in sales in the tens of millions. Among his enduring modern-country standards are “Go Rest High on That Mountain,” “When I Call Your Name,” “Tryin’ to Get Over You,” “I Still Believe in You,” and “Look at Us.” After beginning as a bluegrass vocalist and multi-instrumentalist, he first gained attention with the country-rock band Pure Prairie League, participated in the new-traditionalist wave of the 1980s, and later achieved widespread success as a contemporary country hitmaker. The Eagles’ choice to have him fill the late Glenn Frey’s role underscored his broad appeal, while his songwriting skill and respect for tradition surfaced clearly on the 2023 tribute Sweet Memories: The Music of Ray Price & the Cherokee Cowboys, recorded with longtime steel guitarist Paul Franklin. That combination of qualities has made him a favorite at awards shows, where he has received more CMA Awards than any other artist and shares with Chet Atkins the record for most Grammys won by a country performer.

Vincent Grant Gill entered the world on April 12, 1957, in Norman, Oklahoma. His father, a judge who played banjo and guitar, introduced young Vince to both instruments before the boy reached his teens; fiddle, dobro, mandolin, and bass followed. While still in high school he performed with the bluegrass group Mountain Smoke, whose local profile earned them an opening slot for Pure Prairie League. After graduating in 1975 he relocated to Louisville, Kentucky, to join Bluegrass Alliance for a year, then spent a short time with Ricky Skaggs’ Boone Creek before heading to Los Angeles and linking up with fiddler Byron Berline’s band Sundance. In 1979 he accompanied a friend to an audition for Pure Prairie League simply to see whether the group recalled his high-school band; instead they hired him as lead singer. He cut three albums with them, contributed to the Top Ten pop hit “Let Me Love You Tonight,” and began writing material for the band. Leaving in 1981, he joined Rodney Crowell’s Cherry Bombs, where he met future producers Emory Gordy, Jr. and Tony Brown. He appeared on David Grisman’s 1982 album Here Today, and the following year Brown helped secure him a solo contract with RCA.

Gill, his wife Janis (née Oliver of Sweethearts of the Rodeo), and their young daughter settled in Nashville. Produced by Gordy, his 1984 mini-album Turn Me Loose reflected his country-rock background and yielded the minor Top 40 single “Victim of Life’s Circumstances.” The 1985 follow-up The Things That Matter brought his first Top Ten country hit, the Rosanne Cash duet “If It Weren’t for Him,” quickly matched by “Oklahoma Borderline.” The biggest RCA success arrived with 1987’s The Way Back Home and its Top Five track “Cinderella.” During this period he also worked as a session guitarist, supplied songs to other artists, and toured with Emmylou Harris.

In 1989 he moved to MCA and reunited with Tony Brown, now an established producer. Although he had enjoyed modest success, Gill was not yet a major star; that changed with the label debut When I Call Your Name. The Reba McEntire duet “Oklahoma Swing” reached the Top 20, but the title song climbed to number two, earned Gill his first Grammy, and helped the album surpass a million copies. Its follow-up “Never Knew Lonely” peaked at number three. He turned down Mark Knopfler’s invitation to join Dire Straits full-time. The 1991 album Pocket Full of Gold also went platinum and delivered four Top Ten singles: “Liza Jane,” the title track, “Look at Us,” and the number-two hit “Take Your Memory with You.” With 1992’s I Still Believe in You, Gill became a superstar; the title ballad gave him his first number-one single, and “Don’t Let Our Love Start Slippin’ Away” followed suit. The album quickly achieved platinum status and continued to generate hits, including the number ones “One More Last Chance” and “Tryin’ to Get Over You” plus the number-three “No Future in the Past.” The 1993 Reba McEntire duet “The Heart Won’t Lie,” from her album It’s Your Call, also topped the chart. Over the next several years I Still Believe in You sold more than four million copies.

A holiday collection, Let There Be Peace on Earth, appeared in late 1993. When Love Finds You, released in 1994, became his first album to crack the pop Top Ten; it too moved more than four million units and produced five Top Five country hits: “What the Cowgirls Do,” the title song, “Whenever You Come Around,” “Which Bridge to Cross (Which Bridge to Burn),” and “You Better Think Twice.” Rather than rest on his commercial momentum, Gill pursued a more ambitious direction with 1996’s High Lonesome Sound, a return to bluegrass roots that surveyed a range of American traditional styles. The project drew favorable critical notice and yielded several further hits, among them the Top Five singles “Worlds Apart,” “Pretty Little Adriana,” and “A Little More Love.” The 1998 album The Key earned near-universal praise for its hardcore-country approach and its reflections on the end of his marriage to Janis Oliver. Country radio largely avoided its traditional sound, yet the set still went platinum and became Gill’s first to top the country chart; the lone notable single was the Top Five “If You Ever Have Forever in Mind.”

Reports of his relationship with pop and former Christian artist Amy Grant proved accurate, and the pair married in early 2000. His next album, Let’s Make Sure We Kiss Goodbye, largely celebrated the new romance and struck many critics as overly sentimental; it produced the Top Ten single “Feels Like Love” but received no Grammys despite four nominations. Critical regard returned with 2003’s Next Big Thing, the first album Gill produced entirely on his own. In 2006 he issued the expansive four-disc set These Days on MCA Nashville. Five years later came another collection of original material, Guitar Slinger, recorded at his home studio and featuring appearances by Grant and their daughters Jenny, Sarah, and Corinna. During 2013 he contributed a guest duet to Grant’s How Mercy Looks from Here, appeared on Earl Klugh’s Hand Picked, and released the roots-country album Bakersfield with pedal-steel guitarist Paul Franklin. Three years after Bakersfield he returned with the soulful solo album Down to My Last Bad Habit, which debuted at number four on Billboard’s country chart.

In 2017 Gill joined the Eagles as a touring member, taking on many parts originally played by the late Glenn Frey. After those dates he began writing and demoing what evolved into a concept album exploring his Oklahoma origins. Titled Okie, the project reclaimed the once-derogatory label applied to Dust Bowl migrants of the 1930s. He wrote or co-wrote all twelve songs, including the opening track “I Don’t Wanna Ride the Rails No More” and the first single “A Letter to My Mama,” which honors country’s longstanding themes of family, faith, and home. Another song, “When My Amy Prays,” circles back to his marriage and spiritual life. Okie appeared in August 2019, and “I Don’t Wanna Ride the Rails No More” later received a Grammy nomination for Best American Roots Song.

Gill rejoined Paul Franklin in 2023 for Sweet Memories: The Music of Ray Price & the Cherokee Cowboys, a follow-up to their earlier Bakersfield collaboration.