Artist

Ann Peebles

Genre: R&B ,Soul ,Memphis Soul ,Pop-Soul ,Contemporary Blues
Origin: U.S.A
Active: 1960 - 2012
Listen on Coda
Standing at a modest height yet gifted with a commanding vocal presence and an unyielding demeanor, Ann Peebles emerged as a key figure in shaping Willie Mitchell’s storied Memphis soul imprint Hi Records, sharing that distinction with Al Green and later O.V. Wright. Widely viewed as the strongest female vocalist on the Hi roster, she belonged among the era’s most compelling deep Southern soul performers, creating an immediate standout in her 1973 single “I Can’t Stand the Rain.” Working alongside her husband Don Bryant, she penned a substantial portion of her own songs; although many addressed romance and emotional pain, her public image rested on the toughness and perseverance showcased in tracks such as “I’m Gonna Tear Your Playhouse Down.” Chart success, especially among pop audiences, did not always reflect the quality of her work, yet her strongest sides continue to rank with the finest recordings of their time.

Born April 27, 1947, in Kinloch, Missouri, Peebles grew up with a minister father and a singer mother, which led her to begin performing at an early age in her father’s church choir. She also participated in the family ensemble, the Peebles Choir, established by her grandfather a generation earlier and long active on the gospel circuit. During her teenage years she performed secular material on the St. Louis club scene, backed by her father, and there she encountered local blues bandleader Oliver Sain. Eventually she joined his revue. Her major opportunity arrived in 1968 during a visit to Memphis, when she requested to sit in with trumpeter Gene “Bowlegs” Miller at a club engagement. Already under contract to Hi Records, Miller was sufficiently impressed by Peebles’ voice to introduce her to house producer Willie Mitchell for an audition. Mitchell, still transitioning the label from country toward R&B and prior to his discovery of Al Green, promptly signed her, although she had not yet reached her twenty-first birthday.

Mitchell paired Peebles with singer and staff songwriter Don Bryant to refine her R&B phrasing. The two soon began composing together and later entered into a personal relationship. Peebles issued her first single, “Walk Away,” a Sain composition that climbed just short of the R&B Top 20 in 1969; the follow-up, “Give Me Some Credit,” also achieved modest chart placement. Both selections appeared on her debut album, This Is Ann Peebles. Her fourth single, the 1970 release “Part Time Love,” became her initial R&B Top Ten entry. Straight from the Heart, issued in 1972, represented her first fully cohesive long-player and contained several minor R&B hits: “I Pity the Fool,” “Slipped, Tripped and Fell in Love,” “I Feel Like Breaking Up Somebody’s Home” (subsequently recorded by Bette Midler), and “Somebody’s on Your Case,” along with the notable album track “99 Lbs.” Her momentum persisted with the 1973 album I Can’t Stand the Rain, still regarded by many critics as her finest collection. “I’m Gonna Tear Your Playhouse Down” registered a respectable hit, while the title song—co-written by Peebles, Bryant, and disc jockey Bernard Miller—reached her commercial peak at number six R&B and became a noted favorite of John Lennon. Additional chart entries included “(You Keep Me) Hangin’ On” and “Do I Need You,” yet the year 1974 is perhaps best remembered for her marriage to Bryant.

Following “I Can’t Stand the Rain,” Peebles maintained a strong following on the soul circuit without matching that single’s sales impact. From the 1975 album Tellin’ It she placed three charting singles: “Beware,” “Come to Mama,” and “Dr. Love Power.” The ascent of disco combined with Hi Records’ sale in 1977 slowed her commercial trajectory. The 1977 set If This Is Heaven yielded only the title track as a single, presented in a smoother style than her customary approach; none of the singles drawn from 1979’s The Handwriting Is on the Wall reached the R&B Top 50. With Mitchell and most of the Hi house band no longer present, Peebles stepped away from recording to focus on family life.

She rejoined Mitchell in 1989 for the album Call Me, issued on his brief-lived Waylo label, though longtime listeners often found the results diminished by reliance on sterile electronic production. Returning to a warmer, more acoustic sound, she signed with Rounder’s Bullseye Blues subsidiary and released Full Time Love in 1992. A further collection, Fill This World with Love, appeared in 1996 and included guest contributions from Mavis Staples and Shirley Brown. Throughout the 1990s Peebles also contributed vocals to several albums by Maria Muldaur. In the same decade “I Can’t Stand the Rain” received numerous covers, among them a version by Tina Turner, and gained renewed exposure when Missy “Misdemeanor” Elliott sampled it for her 1997 hit “The Rain (Supa Dupa Fly).”