Biography
Among the foremost swing-era tenor saxophonists, Ben Webster ranked with Coleman Hawkins—his chief inspiration—and Lester Young in an elite trio. On up-tempo numbers his sound turned gritty and hoarse, marked by personal snarls, whereas ballads drew from him a gentle, heartfelt manner. After early violin study, Webster acquired basic keyboard ability, absorbing blues technique from neighbor Pete Johnson. Once Budd Johnson demonstrated saxophone fundamentals, Webster took up the horn in the Young Family Band, then featuring Lester Young among its members. Brief engagements followed with Jap Allen and Blanche Calloway, the latter marking his recording debut, before he entered Bennie Moten’s Orchestra and emerged as a standout on its landmark 1932 session. During the 1930s he moved through several ensembles, among them those of Andy Kirk, Fletcher Henderson in 1934, Benny Carter, Willie Bryant, Cab Calloway, and the short-lived Teddy Wilson big band.
In 1940, after earlier temporary appearances in 1935 and 1936, Webster became Duke Ellington’s inaugural major tenor soloist. Across the next three years he appeared on numerous celebrated dates, including “Cotton Tail,” which featured both his signature improvisation and a saxophone-ensemble passage he arranged, as well as “All Too Soon.” Following his departure from Ellington in 1943—he would rejoin briefly in 1948 and 1949—Webster worked on 52nd Street, recorded often as leader and sideman alike, enjoyed short spells with Raymond Scott, John Kirby, and Sid Catlett, and toured several seasons with Jazz at the Philharmonic in the 1950s. Though his idiom had begun to wane in popularity that decade, his ballad interpretations found broad favor, prompting Norman Granz to capture him on numerous distinguished sessions. A classic encounter with Art Tatum highlighted his output, and steady activity continued until Webster settled permanently in Copenhagen in 1964, performing thereafter only as inclination dictated during his final decade. His singular timbre would later shape players as varied as Archie Shepp, Lew Tabackin, Scott Hamilton, and Bennie Wallace.
In 1940, after earlier temporary appearances in 1935 and 1936, Webster became Duke Ellington’s inaugural major tenor soloist. Across the next three years he appeared on numerous celebrated dates, including “Cotton Tail,” which featured both his signature improvisation and a saxophone-ensemble passage he arranged, as well as “All Too Soon.” Following his departure from Ellington in 1943—he would rejoin briefly in 1948 and 1949—Webster worked on 52nd Street, recorded often as leader and sideman alike, enjoyed short spells with Raymond Scott, John Kirby, and Sid Catlett, and toured several seasons with Jazz at the Philharmonic in the 1950s. Though his idiom had begun to wane in popularity that decade, his ballad interpretations found broad favor, prompting Norman Granz to capture him on numerous distinguished sessions. A classic encounter with Art Tatum highlighted his output, and steady activity continued until Webster settled permanently in Copenhagen in 1964, performing thereafter only as inclination dictated during his final decade. His singular timbre would later shape players as varied as Archie Shepp, Lew Tabackin, Scott Hamilton, and Bennie Wallace.
Albums

The Best Swing, Ben Webster
2024

The Best Swing, Ben Webster and Friends, Vol. 2
2024

The Best Swing, Ben Webster and Friends, Vol. 1
2024

Ben Webster - The Golden Sax, Vol. 2
2024

Ben Webster - The Golden Sax, Vol. 3
2024

Ben Webster - The Golden Sax, Vol. 1
2024

Ben Webster - The Golden Sax, Vol. 4
2024

Jazz Masters, Ben Webster
2024

Relaxing Moods
2022

The Greatest Jazz Albums of 1957, Vol. 8
2020

Milestones of Legends - Jazz With Strings, Vol. 2
2019

Milestones of a Jazz Legend - Ben Webster, Vol. 4 (1957, 1959)
2019

Milestones of a Jazz Legend - Ben Webster, Vol. 3
2019

Milestones of a Jazz Legend - Ben Webster, Vol. 2 (1957, 1959)
2019

Milestones of a Jazz Legend - Ben Webster, Vol. 6 (1959, 1962)
2019

Milestones of a Jazz Legend - Ben Webster, Vol. 9 (1956, 1961)
2019

Milestones of a Jazz Legend - Ben Webster, Vol. 8 (1957)
2019

Milestones of a Jazz Legend - Ben Webster, Vol. 1 (1953, 1958)
2019

Milestones of a Jazz Legend - Ben Webster, Vol. 10 (1954, 1957)
2019

Ben Webster's First Concert in Denmark
2019

Ben Webster Plays Ballads Remastered
2018

Ben Webster: Rarities
2017

Gentle Ben
2015

In Norway
2013

Storyville Presents The A-Z Jazz Encyclopedia-W
2009

Centennial Celebration
2009

Ben Webster For Lovers
2005

Confluence
2003

Ben & Teddy
2001

Wayfaring Webster
2000

Ben Webster's Finest Hour
2000

Quiet Now : Until Tonight
2000

Ultimate Ben Webster
1998

Sittin' In With Ben Webster
1997

Tenor Titans
1997

The Complete Gerry Mulligan Meets Ben Webster Sessions
1997

Ben Webster Meets Oscar Peterson
1997

Music For Loving
1995

Verve Jazz Masters 43: Ben Webster
1995

Jazz 'Round Midnight
1993

Compact Jazz - The Verve Years
1992

Bill Harris And Friends (Reissue)
1992

The Tatum Group Masterpieces, Volume 8
1990

Ben And "Sweets"
1987

Walkman Jazz : Ben Webster & Coleman
1987

Atmosphere for Lovers and Thieves
1974

Autumn Leaves
1972

No Fool No Fun
1970

See You At The Fair
1964

Soulmates
1963

The Soul Of Ben Webster
1960

At The Renaissance
1960

Jimmy Witherspoon at the Renaissance
1960

The Warm Moods
1960

Coleman Hawkins Encounters Ben Webster (Expanded Edition)
1959

Ben Webster And Associates (2025 Remaster)
1959

King Of The Tenors
1956

King Of The Tenors (Expanded Edition)
1956

The Kid And The Brute (Expanded Edition)
1955
Singles
Live






