Beth Carvalho

Beth Carvalho stands out as a Brazilian vocalist, guitarist, cavaquinist, and songwriter whose reputation remains inseparable from samba, especially the traditions of the Mangueira school. Although her initial recordings occurred alongside Os Gatos during the mid-1960s, the sequence of her solo releases stretching from Pra Seu Governo in 1974 to Alma Do Brasil in 1988 stands virtually unmatched within Brazilian MPB owing to their sustained excellence. She captured compositions by samba figures now regarded as legends, including Nelson Cavaquinho, Guilherme de Brito, and Cartola, backing them well ahead of widespread public recognition and playing a major role in elevating them to household status across Brazil. Despite her longstanding ties to the Mangueira samba school, she has also interpreted numerous pieces by songwriters linked to the Portela school along with contributions from pagode creators such as Almir Guineto and Jorge Aragão. During the mid-1980s she championed and brought forward the output of the well-known songwriter Zeca Pagodinho. Although her most recent major success arrived with the 1999 track "Samba de Arerê," she has kept producing both live and studio albums, several of them adventurous in nature and highlighting emerging songwriters. Her performances continue to draw full houses throughout Brazil.

Carvalho entered the world as Elizabeth Santos Leal de Carvalho in the working-class neighborhood of Gamboa on the outskirts of Rio de Janeiro, yet grew up on the middle-class South Side. Beginning at age seven she appeared as a newcomer on various Carioca radio programs such as The Nacional. Concurrently she pursued musical theory studies at the Escola Nacional de Música. Amid the presence of bossa nova ensembles at casual spots like universities and schools, her earliest musical explorations followed that genre. Her debut release, for instance, consisted of the single "Por Quem Morrer de Amor" (Roberto Menescal/Ronaldo Bôscoli). She further collaborated on another bossa nova piece with Tibério Gaspar, a prominent musician and composer of the era, and within the bossa ensemble Conjunto 3-D (Antônio Adolfo on piano, Chico Batera on drums, Luís on bass), performing alongside Eduardo Conde. Simultaneously, reflecting her passion for the classic samba of the hills, she took part in the A Hora E a Vez Do Samba presentation together with Zé Keti and Os Cinco Crioulos.

In 1968 her rendition of "Andança" (Danilo Caymmi/Edmundo Souto/Paulinho Tapajós) secured third place at the III Festival Internacional da Canção. This achievement prompted her inaugural LP, Andança, which featured the title track that has since become an MPB standard reinterpreted by numerous prominent vocalists including Maria Bethânia, Elis Regina, and Nana Caymmi. Nevertheless her pivotal shift occurred in 1971 upon recording the samba-enredo "Rio Grande Do Sul Na Festa Do Preto Forro" for the Unidos de São Carlos samba school. Thereafter she committed herself to samba performance, strengthening her connections to hill community traditions. Her version of "Só Quero Ver" (Edmundo Souto/Paulinho Tapajós) achieved significant success, and upon hearing it performed in the rodas de samba of Salgueiro and Mangueira, Carvalho resolved to embrace the direct approach to music-making characteristic of the traditional hill communities. She transferred to the Tapecar label as a samba singer, issuing the single "Amor, Amor" and subsequently the LP Canto Por Um Novo Dia, which involved samba luminaries such as Geraldo Vespar, Nelson Cavaquinho (performing his distinctive violão on "Folhas Secas"), Luizão, Marçal, Luna, Eliseu, Martinho da Vila, and the group Nosso Samba. The 1974 album Pra Seu Governo likewise featured Nelson Cavaquinho both playing and singing, yielding a hit in "1800 Colinas" (Gracia do Salgueiro). The record achieved strong sales in Brazil and saw release in France as well. Nos Botequins Da Vida from 1977 moved 400,000 units on the strength of the successes "Saco de Feijão" (Francisco Santana) and "Olho Por Olho" (Zé do Maranhão/Daniel Santos).

From the late 1970s onward, already recognized as a sambista, Carvalho lent support to numerous emerging composers who would later gain prominence in samba and pagode circles as torchbearers, among them Luiz Carlos da Vila, Jorge Aragão, Zeca Pagodinho, Almir Guineto, the ensemble Fundo de Quintal, Arlindo Cruz, and Sombrinha, Moacyr Luz, along with Quinteto em Branco e Preto.

On the 1978 release De Pé No Chão she introduced Jorge Aragão on violão for her take on his composition "Vou Festejar," which rose to hit status. The 1979 effort Beth Carvalho No Pagode is widely viewed as a landmark and contained her all-time greatest success, "Coisinha Do Pai" (Jorge Aragão/Almir Guineto/Luiz Carlos). During the late 1990s the song even traveled into space aboard the Pathfinder space probe. The album further included additional chart successes such as "Pedi Ao Céu" (Almir Guineto/Luverci Ernesto) and "Tem Nada Não" (Almir Guineto/Luverci Ernesto/Jorge Aragão). The samba school Unidos do Cabuçu honored Carvalho by dedicating the 1984 samba-enredo "Beth Carvalho, a Enamorada Do Samba" to her.

As a songwriter she composed "Canção de Esperar Neném," featured on Sentimento Brasileiro in 1980. She captured the live recording Beth Carvalho Ao Vivo No Festival De Montreux at the Montreux Festival in Switzerland during 1987. In the early 1990s she produced another live set overseas, this time at the Olympia in Paris, France, titled Ao Vivo No Olympia. Carvalho scored another major nationwide radio hit in 1999 with "Samba de Arerê" (Xande de Pilares/Arlindo Cruz/Mauro Jr.) from the live CD Pagode De Mesa. A follow-up volume appeared in the new millennium, attaining solid sales though falling short of the commercial peaks reached by the first. In 2003 she issued Canta Cartola through RCA, comprising an album devoted entirely to works by the Malgueira school founder Agenor de Oliveira, known as Cartola (1908-1980). Its unusually sparse and refined arrangements struck listeners as a fresh direction while remaining rooted in samba and MPB. The concert album Madrinha Do Samba appeared in 2004, initiating a trio of successive live releases that further encompassed 40 Anos De Carreira: Ao Vivo No Theatro Municipal, Vol.1 from 2006 and Canta O Samba Da Bahia in 2007, prior to her return to the studio for Nosso Samba Ta Na Rua, which includes Zeca Pagodinho on the track "Arrasta A Sandália." Carvalho played a primary role in elevating Pagodinho to stardom during the 1990s. She joined the all-star concert event for Samba Na Veia 2 in 2012 alongside vocalist Jorge Aragão and Diogo Nogueira, and released the live recording Ao Vivo No Parque Madureira two years later.