Artist

Beverley Knight

Genre: R&B ,Contemporary R&B ,Neo-Soul ,Acid Jazz ,House ,Funk
Origin: U.S.A
Active: 1994 - Present
Listen on Coda
Beverley Knight, known as a neo-soul vocalist, drew upon the essence and energy of traditional rhythm and blues to establish herself among the United Kingdom's foremost emerging pop talents during the 1990s. She entered the world as Beverley Anne Smith on March 22, 1973, in Wolverhampton, England, to Jamaican parents. A strict Pentecostal upbringing surrounded her formative years, during which she performed regularly with her church choir as a teenager. Although gospel music formed the core of her listening, and secular sounds remained off-limits, she encountered the crossover icons Sam Cooke and Aretha Franklin anyway, prompting her to compose original material starting at age 13. By 17 she was fronting local nightclub bills and recording advertising jingles for a regional radio outlet; this visibility prompted a contract proposal that she turned down in favor of pursuing religious theory and philosophy studies at the University of Wolverhampton.

Late in 1994 she joined the independent label Dome and collaborated with the London production team 2BE3 on her first album, The B-Funk. Critics praised the project for its commitment to vintage soul techniques and values, and it collected several press and industry honors, yet commercial breakthrough remained elusive. The track “Flavour of the Old School” nevertheless reached the U.K. Top 40 after its 1996 reissue; shortly afterward Knight parted ways with Dome amid creative differences and moved to EMI’s Parlophone imprint for the summer 1998 release Prodigal Sista. Five Top 40 singles emerged from that set, most notably “Greatest Day” and the Redman collaboration “Make It Back ’99,” positioning the album for Best Album recognition at the MOBO Awards. The subsequent chart entries “Get Up!” and “Shoulda Woulda Coulda” preceded the spring 2002 arrival of her third album, Who I Am, which entered the Top Ten, earned a Mercury Music Prize nomination, and was hailed as her most introspective work to date.

Knight next enlisted pop producers Guy Chambers and Peter-John Vettese for 2004’s Affirmation, whose glossy mainstream aesthetic distanced portions of her urban following. Even so, the album achieved her strongest sales figures to that point, driven by the singles “Not Too Late for Love” and “Keep This Fire Burning,” while she also received a lifetime achievement honor at the Urban Music Awards in London that year. The project drew deep inspiration from her platonic soulmate Tyrone Jamison, presenter of the BBC program The Gay Show, who succumbed to HIV in 2003. Knight later served as ambassador for the Stop AIDS Campaign, Christian Aid, and the Terrence Higgins Trust; in 2006 Queen Elizabeth II named her a Member of the Order of the British Empire for both artistic and philanthropic contributions. That same year she appeared as co-host on the BBC1 series Just the Two of Us and issued the compilation Voice: The Best of Beverley Knight, which yielded a Top 20 cover of Erma Franklin’s “Piece of My Heart.”

Her fifth studio album, Music City Soul, surfaced in 2007 and reached the U.K. Album Charts Top Ten; the single “No Man’s Land” helped secure further critical acclaim. Two additional releases, 100% in 2009 and Soul UK in 2011, followed before she performed at the 2012 Summer Paralympics opening ceremony in London, an occasion that coincided with the arrival of The Collection 1995-2007. After an extended period in theater, first as Rachel Marron in a stage version of The Bodyguard and then in the title role of the West End musical Memphis, Knight returned to recording with the 2016 album Soulsville. Cut at Memphis’s Royal Studios, the project included contributions from Jamie Cullum, Jools Holland, and native Sam Moore of Sam & Dave. Marking a quarter-century in music, 2019 brought BK25, an orchestral reinterpretation of signature songs captured with the Leo Green Orchestra at the Royal Festival Hall.