Artist

Blitz

Genre: Punk ,Oi! ,British Punk
Origin: U.S.A
Active: 1980 - 2007
Listen on Coda
One of Britain’s foremost exponents of the U.K. Oi! movement, Blitz delivered the hard-charging, stripped-down punk that typified the genre, yet their crisp execution and instinctive melodic flair set them apart from contemporaries. Guitarist Nidge Miller fronted the group through repeated lineup changes and stylistic pivots across the years, steering the ferocious Oi! assault heard on the 1982 album Voice of a Generation, the more metallic stance of 1989’s The Killing Dream, and the new-wave shading of 1983’s Second Empire Justice that arose beyond his direct control. Repeated breaks punctuated the band’s existence, yet Miller persisted in advancing his musical goals until his passing in 2007.

Blitz originated as XS Rhythm, the teenage project Miller assembled at age fifteen. The outfit had already logged several years of activity when British punk erupted, prompting Miller to seek fresh possibilities. After reworking the personnel, he began performing with vocalist Carl Fisher, bassist Neil “Mackie” McLennan, and drummer Charlie Howe. Sounds journalist Garry Bushell, an early booster of the rising Oi! circuit, caught the band, proposed the name Blitz (drawn from the Ramones’ “Blitzkrieg Bop”), and slotted two tracks onto the 1981 compilation Carry On Oi!. No Future Records subsequently signed them, issuing the debut EP All Out Attack in 1982; its initial thousand-copy pressing sold out rapidly, and the four-track 7-inch ultimately exceeded twenty thousand units. Follow-up singles “Never Surrender” and “Warriors” each climbed to number two on the Indie Singles chart, while the November 1982 full-length Voice of a Generation unexpectedly reached the U.K. Top 30.

Internal tensions nevertheless mounted. After Fisher and Howe departed, Miller and McLennan issued a 1983 single as Rose of Victory. Miller received no credit on Second Empire Justice, the second Blitz album, which Chris Nagle—former engineer for Joy Division’s Martin Hannett—produced with an atmospheric new-wave sheen rather than raw punk energy. Although the record peaked at number five on the U.K. album charts, its sales fell short of No Future’s expectations, hastening the group’s dissolution. Miller later revived the Blitz moniker for 1989’s The Killing Dream, performing guitar, bass, and drums himself alongside vocalist Gary Basnett. Bassist Garry Sumner and drummer Paul Willey joined for live work, and this configuration released the four-song EP New Breed in 1992 before the band again disbanded.

In the early 2000s Miller reassembled Blitz with vocalist Bryan “Scorch” Hiazlip, guitarist Doug Williams, bassist Brian Lawton, and drummer James Greene. Extensive touring across the U.K. and Europe revealed a devoted American cult audience. When Williams exited, Lawton switched to guitar and a bassist known only as Marc joined; this lineup performed at New York’s CBGB, a concert later issued as a limited live CD. Additional studio recordings appeared as bonus tracks on the 2005 compilation All Out Blitz: The Very Best of Blitz. The band’s trajectory halted on 10 February 2007 when an intoxicated Miller stepped onto a highway in Austin, Texas after a show and was struck by a vehicle. Six previously unreleased final studio tracks surfaced on the 2016 EP The Final Blitz: Farewell to a Legend, and in 2023 Cleopatra Records issued a deluxe vinyl reissue of All Out Attack housed in a six-panel fold-out sleeve.