Artist

Chris Smither

Genre: Rock ,Blues-Rock ,Modern Blues ,Folk-Blues ,Contemporary Blues ,Contemporary Folk
Origin: U.S.A
Active: 1967 - Present
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Chris Smither's gravelly baritone and singular fingerpicking approach have etched a lasting mark across American folk and blues over a span exceeding six decades. Emerging from the Boston folk scene of the mid-1960s, he issued only a pair of records before alcoholism halted his studio work throughout the 1970s. Although he sustained a strong presence onstage, recording resumed only in the early 1990s, sparking an unexpected resurgence. That productive stretch through the 1990s and 2000s reinforced his standing, as releases such as Up on the Lowdown (1995) and Time Stands Still (2009) drew broad critical praise. In addition to his skills on vocals and guitar, Smither earned recognition for compositions later interpreted by Bonnie Raitt, Emmylou Harris, and additional artists. Relative to contemporaries from his generation he stayed somewhat overlooked, yet recent projects including Call Me Lucky (2018) and All About the Bones (2024) have raised his visibility beyond earlier levels.

Born in Miami, Florida, Smither's household passed through periods in Ecuador and Texas before establishing roots in New Orleans. Brief piano instruction gave way to ukulele after he unearthed his mother's neglected instrument from storage. During a public-school interval in Paris, his father presented him with a Spanish-style guitar that soon supplanted other instruments. College years in Mexico City introduced him to Lightnin' Hopkins' Blues in the Bottle, an album that proved transformative and prompted extended efforts to master its demanding guitar lines. Returning to New Orleans, he remained absorbed by blues and absorbed further inspiration from Mississippi John Hurt. After further time in Paris and Florida, acoustic-blues figure Eric Von Schmidt urged the guitarist northward to join the expanding folk-blues community in Cambridge, Massachusetts.

Boston proved the setting where Smither fully developed his voice. Retaining portions of his blues and folk material, he shifted emphasis toward original compositions and gained footing in East Coast folk venues. In 1969 he encountered Bonnie Raitt, who would serve as both friend and supporter throughout his trajectory; she cut his song "Love Me Like a Man" in 1972, turning it into a regular feature of her performances. Before that, Smither secured a contract with the independent Poppy imprint, yielding the 1970 debut I'm a Stranger Too and the follow-up Don't It Drag On a year later. A third effort, Honeysuckle Dog, was tracked for United Artists in 1972. Despite contributions from Raitt and Dr. John, the label released him and the record stayed unavailable for more than thirty years.

Alcoholism dominated the balance of the 1970s even as live work continued; stability returned gradually in the early 1980s. A single studio return produced 1984's It Ain't Easy, after which consistent recording resumed in the early 1990s. An arrangement with Flying Fish Records inaugurated this phase, beginning with 1991's Another Way to Find You. Captured live in the studio before listeners, the set mirrored the intimate character of his solo concerts, earning favorable notices and a Boston Music Award. Compensating for prior inactivity, he maintained a steady pace through the decade: another Flying Fish outing arrived with 1993's NAIRD Award-winning Happier Blue, followed by a move to Hightone for Up on the Lowdown (1995), Small Revelations (1997), and Drive You Home Again (1999). Tours alongside Dave Alvin, Ramblin' Jack Elliott, and Tom Russell occurred during these years, and Emmylou Harris recorded his composition "Slow Surprise."

Momentum extended into the new century via Train Home (2003) and Leave the Light On (2006). The long-unissued Honeysuckle Dog finally appeared on the Heavenly label in 2005, more than three decades after its completion. As an established veteran, Smither maintained a steady creative course, with 2009's Time Stands Still frequently cited among his strongest works. Two distinct endeavors occupied him in 2011: the live collection Lost and Found and the covers set What I Learned in School. Hundred Dollar Valentine appeared the next year. His fiftieth anniversary as a performer was marked in 2014 by the retrospective Still on the Levee and the volume Chris Smither Lyrics 1966-2012. Signature Sounds marked the occasion with the tribute Link of Chain: A Songwriters' Tribute to Chris Smither, featuring interpretations by Josh Ritter, Dave Alvin, Loudon Wainwright III, and Bonnie Raitt. Call Me Lucky, his first collection of new songs since 2009, surfaced in March 2018; two years afterward came More from the Levee, extending the 2014 anthology. He resumed original material with 2024's All About the Bones, his twentieth album.