Artist

David Rose

Genre: Vocal ,Traditional Pop ,Easy Pop ,Orchestral/Easy Listening ,Keyboard ,Film Score
Origin: U.S.A
Active: 1939 - 1990
Listen on Coda
David Rose stood out among the era’s leading creators of mainstream instrumental pop, earning widespread recognition during the 1940s, 1950s, and 1960s for a body of work that lodged itself in national memory. Compositions stretching from “Holiday for Strings” to “The Stripper” typically reflected his relaxed, playful sensibility, with string lines that suggested spoken phrases and brass and percussion sections that moved fluidly between swing and steady support. Beyond these signature pieces, he supplied original scores for numerous films and television productions, among them Bonanza and Little House on the Prairie.

London-born, Rose arrived in the United States with his family at age four. He trained at the Chicago College of Music as a teenager and, after graduating at sixteen, joined Ted Fio Rito’s dance band. Three years later he took a post as relief pianist for NBC Radio. Throughout most of the 1930s he worked for the network as arranger, conductor, and pianist while also accepting outside assignments; his 1936 arrangement of Benny Goodman’s hit “It’s Been so Long” remains the best-known example.

Rose left New York for Hollywood in 1938. Shortly after settling in California he assembled the David Rose Orchestra for the Mutual Broadcast System and conducted the program California Melodies on the same network. That year he met and married Martha Raye, for whom he supplied the accompaniment on her hit single “Melancholy Mood.” The marriage dissolved within a year; he soon began a relationship with Judy Garland that led to their 1941 wedding, which ended in divorce in 1945.

In 1941 MGM Studios appointed Rose musical director. At the studio he composed scores for motion pictures featuring Doris Day, Don Ameche, Esther Williams, Dorothy Lamour, and Martha Raye. “Holiday for Strings,” one of his most enduring works, became a major success in 1943 while Rose served in the military during World War II. During that period he composed and conducted for the U.S. Army and Air Force production Winged Victory, which reached theaters as a film in 1944. Also in 1944, the song “So in Love,” written with lyricist Leo Robin, earned an Oscar nomination after its appearance in Danny Kaye’s Wonder Man.

After the war Rose became a regular presence on Red Skelton’s radio program, which often featured “Holiday for Strings.” He later appeared on Skelton’s television series, which began in the early 1950s.

Television proved the next arena Rose dominated, furnishing theme music for more than twenty series across the 1950s, 1960s, and early 1970s. His fourteen-year association with Bonanza brought several Emmy awards. In the late 1950s and early 1960s he also created music for three widely praised Fred Astaire television specials.

Rose began issuing albums in the late 1950s, alternating between collections of show tunes, film themes, and mood pieces. An excursion into calypso produced the minor hit “Calypso Melody” in 1957. He arranged and accompanied additional pop recordings, most prominently Connie Francis’s 1959 single “My Happiness.” His greatest commercial breakthrough, however, arrived with his own 1962 recording. Drawn from the television program Burlesque, the lighthearted “The Stripper” reached number one on the U.S. charts. The parent album, The Stripper and Other Fun Songs for the Family, climbed to number three. Although he released more than fifty albums over his career, no subsequent LP entered the charts.

During the 1970s Rose composed the music for Little House on the Prairie, a body of work that received recognition comparable to his Bonanza scores. He also led numerous symphony concerts and recorded occasionally. Activity slowed markedly in the 1980s, yet he still issued several albums and performed a handful of concerts. David Rose died in 1990.