Frankie Goes To Hollywood

In 1984, an intense wave of promotion propelled Frankie Goes to Hollywood to the forefront of British music. Their dance-pop drew from the era’s Hi-NRG sound while layering on glossy pop production and sensibility. What truly set the band apart, however, was its elaborate marketing apparatus rather than the recordings themselves. A cascade of slogans, T-shirts, and homoerotic videos ignited fierce debate across England and generated scattered ripples in the United States. The phenomenon proved short-lived; by the time Liverpool appeared in 1986, public interest had all but vanished.

Formed in Liverpool in 1980, the group originally featured ex-Big in Japan vocalist Holly Johnson, vocalist Paul Rutherford, guitarist Nasher Nash, bassist Mark O’Toole, and drummer Peter Gill. They briefly operated under the name Hollycaust before adopting Frankie Goes to Hollywood—lifted from an old headline about Frank Sinatra’s acting career—by year’s end. Significant attention arrived only in 1982, when a rudimentary video for “Relax” screened on the British program The Tube. The broadcast drew the notice of several labels and producer Trevor Horn, who promptly signed the band to his ZTT label. Their debut single, the Horn-produced “Relax”/“Ferry Cross the Mersey,” surfaced late in 1983; the driving dance track contained sexually suggestive lyrics destined to provoke widespread controversy.

Around the single’s launch, promotional director Paul Morley, a former music journalist, engineered an intricate campaign that soon delivered spectacular returns. His “Relax” and “Frankie Says…” T-shirts spread rapidly nationwide, while the band leaned into stylish, campy homosexual imagery, most visibly in the original “Relax” video. British television banned that clip, forcing a replacement; Radio 1 followed suit and other BBC outlets quickly followed, sending “Relax” to number one in January 1984 and pushing sales past one million copies. The political second single, “Two Tribes,” also produced by Trevor Horn, entered the charts at number one upon its June 1984 release and earned gold certification within seven days. It remained at the summit for nine weeks, eventually surpassing a million copies sold while “Relax” climbed back to number two.

Frankie mania swept England, yet American acceptance developed more slowly. “Relax” peaked at number 67 in spring 1984 and “Two Tribes” stopped just outside the Top 40 that autumn. The Trevor Horn-produced double album Welcome to the Pleasuredome debuted at number one in the U.K., and its third single, the ballad “The Power of Love,” also reached the top. Early in 1985 the album climbed to number 33 in the U.S., prompting a reissue of “Relax” that finally entered the American Top Ten.

The first single from the second album, “Rage Hard,” reached number four in the U.K. during summer 1986 and was followed by Liverpool, which entered the British charts at number five. Frankie Goes to Hollywood embarked on a final tour in early 1987 and disbanded by April. Holly Johnson launched a solo career that gained momentum in 1989 after a protracted legal dispute with ZTT. Paul Rutherford likewise pursued solo work, enlisting members of ABC to produce his 1989 album Oh World.