Artist

Hilton Ruiz

Genre: Jazz ,Global Jazz ,Bop ,Jazz Instrument ,Piano Jazz
Origin: U.S.A
Active: 1960 - 2006
Listen on Coda
Hilton Ruiz displayed extraordinary range as a jazz pianist by moving fluidly between the intricate improvisations of avant-garde jazz and the propulsive grooves of Afro-Cuban music. Born in New York City on May 29, 1952, the pianist revealed prodigious talent early, appearing at Carnegie Recital Hall when he was only eight. Alongside his classical training, he studied jazz with the renowned Mary Lou Williams, and at fourteen he made his first recording with the Latin soul group Ray Jay and the East Siders. His exceptional improvisational ability ultimately steered him toward a jazz career; while still a teenager he accompanied artists ranging from Freddie Hubbard to Joe Henderson. Ruiz achieved worldwide recognition in 1973 after joining the wide-ranging saxophonist and flutist Rahsaan Roland Kirk, where he demonstrated skill interpreting material that extended from blues to experimental forms on such cult-favorite albums as The Case of the 3 Sided Dream in Audio Color and The Return of the 5000 Lb. Man. Following a four-year stint with Kirk, he traveled through Egypt and India alongside Clark Terry; once back in New York he became a sought-after accompanist for Betty Carter, Abbey Lincoln, and Chico Freeman while also leading his own ensemble, an endeavor that continued the solo path initiated by his 1975 Steeplechase release Piano Man. Across well-received recordings such as 1977’s Steppin’ Into Beauty, 1988’s El Camino (The Road), and 1991’s A Moment’s Notice, Ruiz refined a Latin-jazz synthesis that led to work with Tito Puente and Paquito d’Rivera. He additionally contributed to film scores, including Woody Allen’s Crimes and Misdemeanors and Sam Mendes’ Academy Award–winning American Beauty, and in 1987 he co-authored the three-volume instructional set Jazz and How to Play It with Richard Bradley. While in New Orleans to participate in a Hurricane Katrina relief effort, Ruiz fell outside a French Quarter establishment, entered a coma, and never recovered, passing away on June 6, 2006, one week after turning fifty-four.