Artist

Bobby Watson

Genre: Jazz ,Contemporary Jazz ,Post-Bop ,Straight-Ahead Jazz ,Jazz Instrument ,Saxophone Jazz
Origin: U.S.A
Active: 1970 - Present
Listen on Coda
Saxophonist, composer, producer, and educator Bobby Watson brings an aggressive, fluid approach to jazz, one shaped by his formative time alongside drummer Art Blakey’s Jazz Messengers. Born in Kansas City, Kansas, he absorbed the roadhouse blues tradition that defines his hometown. He completed his studies at the University of Miami, where classmates included Pat Metheny, Jaco Pastorius, and Bruce Hornsby, before earning his degree in 1975 and relocating to New York City. There he introduced his work as a leader with the 1977 release E.T.A. and followed it in 1979 with All Because of You.

During those same years he took the role of musical director for Art Blakey’s Jazz Messengers, remaining with the ensemble through 1981 and contributing to numerous recordings under Blakey’s name. He maintained a parallel recording career as a bandleader throughout the 1980s, issuing Advance in 1984 and Love Remains in 1986.

Drawing inspiration in the late 1980s from the hard-bop ensembles led by Blakey and pianist Horace Silver in the 1960s, Watson formed Bobby Watson & Horizon, enlisting bassist Curtis Lundy and drummer Victor Lewis. The group secured a Blue Note contract and debuted with the 1988 album No Question About It, which featured trumpeter Roy Hargrove. Subsequent releases included 1989’s The Inventor, 1991’s Post-Motown Bop, and 1992’s Present Tense, the last of these spotlighting trumpeter Terell Stafford. Beyond his own projects, Watson maintained an active schedule of session and touring engagements, collaborating with drummers Louis Hayes and Max Roach, saxophonists George Coleman and Branford Marsalis, multi-instrumentalist Sam Rivers, guitarist Carlos Santana, trumpeter Wynton Marsalis, and numerous others. He also recorded and performed with vocalists Joe Williams, Dianne Reeves, Lou Rawls, Betty Carter, and Carmen Lundy.

Committed to teaching, Watson joined the adjunct faculty at William Paterson University in the mid-1980s and later taught at the Manhattan School of Music from 1996 to 1999. In the same period he completed the big-band project Tailor Made and explored funk and R&B textures on 1995’s Urban Renewal. In 2000 he became the first William D. and Mary Grant/Missouri Distinguished Professor of Jazz Studies, a post he held for more than a decade at the University of Missouri/Kansas City while continuing to perform internationally.

Live performance has remained central to his output, documented on the 2002 album Live & Learn, 2004’s Horizon Reassembled, and 2008’s From the Heart. The following year he partnered with percussionist Ray Mantilla for the Latin-infused Everlasting. In 2013 he commemorated the fiftieth anniversary of Dr. Martin Luther King, Jr.’s “I Have a Dream” speech with Check Cashing Day, and in 2017 he issued Made in America, captured live at the Smoke jazz and supper club in New York City.